Donna Levinstone Art

A natural landscape painting is beautiful because it connects us to the innate tranquility and majesty of the natural world. The harmonious colors, such as the greens of forests, the...

Early 19th century ink drawing of Chartres Cathedral by English artist Samuel Prout. The work focuses on the large scale architectural elements of the cathedral with small figures st...

Details: Title: Marine Botany II Medium: Gouache Crayon and Acrylic Paint on Watercolor Paper Size: Size: 40x28 Inches (100x70cm) Year: 2026 * Certificate of Authenticity provided. ...

Baobab N2 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a wo...

'Omvetya II (Cargeen, Towards Treryn Dinas)' Original Artwork. Unframed ______________ Softly dancing seaweed, patiently awaits the return of the salty sea to fill the tidal pools. ...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...

Artist Commentary: A stunning, colorful Texas sunset. Keywords: Landscape & Nature Artist Biography: Judith grew up 15 miles north of Milwaukee in the ...

The idyllic atmosphere of this country scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Winter Road)” is a quiet country scene depicting a road leading into the distance either going to or coming from a local farm. The snow does not particularly seem fresh suggesting a melt and the coming of spring. This piece has been professionally reframed with acid-free matting and conservator glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles...

The artist develops each drawing through multiple layers of ballpoint pen, gradually building depth, texture, and atmosphere. By repeatedly working over the surface with fine lines, ...

White Emblem Orchid featured in a sophisticated monochromatic grey indigo botanical watercolor crated by artist Adrienne Sherman. Her poetic floral series is at once modern, fresh an...

Artist Commentary: Halloween twilight in the Texas Hill Country. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin,...

'Omvetya III (Sea Carrots, Sennen)' Original Artwork. Unframed ______________ The evening light is drawing low soft shadows in the dunes at the salted edge of the Atlantic. 'Omvety...