Donna Sved Mixed Media

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

“Resonance in Red” is an original large abstract expressionist painting by Finnish multidisciplinary artist Emmi Iida. Measuring 90 x 70 cm, the piece is a striking exploration of rh...

A sophisticated industrial inspired mixed media painting by world renowned artist, Andre Kohn. It is on museum gallery wrap canvas and comprised of layered photographs, wax, charcoal...

Emerging artist Urte Truskauskaite is currently studying at the Vilnius Academy of Arts. Her work explores outdated technologies—old computers, calculators, and their components—as a...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

Composition XXI - A abstarct square painting in light, grey, peach and red burgundy color. The author used oil on canvas with sawdust mixed with alabaster and sand creating a special...

This abstract painting engages the sides of the composition with mixed media materials and paint drips., and shows to best advantage if unframed. The surface is layered with a good deal of texture, including the artist's fingerprints, and the surface has a high polish. It is wired for hanging and ready to install. "I am interested in comparing connections between my eastern roots and my western experiences. I embrace the possibility that we can exist in a world free from labels." - Antonio Puri...

This painting is art work by Natalia Sitnikova made with sand, alabaster and oil paint on canvas to create a specific texture that allows to mixed art and other ways to underline a u...

This sizable work on paper is an achromatic mixed media collage and painting. The lack of color serves to emphasize the abstract expressiveness of the mark-making, in addition to the tactility of the layers of material adhering to the composition. In Alfredo Gisholt...