Dorothy Violet Bywater-Schust Art

Vibrant blooms erupt from a translucent vessel. This artwork captures a moment of natural exuberance. Deep magenta petals contrast against cool, muted greens. The brushwork is confid...

Acrylic on canvas Oil pastel accents Mixed media painting Textured surface Contemporary art Lemons, Italian Afternoon captures a moment of abundance as order gives way to chance. Sc...

Artist Commentary: This painting of a Cape Cod house is made of 468 little paper squares that I pasted on the canvas. The window, flowers, and bushes were then added with oil paint. My friends and family say that gluing together hundreds of little squares together is slightly obsessional, but I think it actually demonstrates great patience! I love to lose myself into creating and pasting these repeating patterns. Then, I disrupt them with a disconnected and more loose painting on top. But as a whole, both parts are in fact united and harmonious, as they belong to the same Cape Cod house. This is how I feel about myself: one person with two very different cultures. From the outside, they can look quite disconnected, but they actually are not. In fact, I find that I unite both cultures by painting them. What about you? Do you feel like you are made of disconnecting parts? And what do you do to unite them? Words that describe this piece: window, flower, Cape Cod, Massachusetts, flower boxes, shrubs, greens, garden Artist Biography: Life is basically a huge collection of moments. Sometimes you have no idea how everything will end up tying together - Marion Buricatu...

"Roses and the Vibration of Space" is an expressive semi-abstract painting depicting pink roses amidst lush greenery. Through the use of textures and blurred transitions, the flowers...

Early 20th Century French watercolour of a Mediterranean garden. The painting is signed bottom right, Songa, and is presented under a hand coloured custom mount in a plain wood frame under glass. This is one of a pair of paintings the other is also available in our store on 1stdibs. A charming representation of a garden in early summer. A line of majestic Cyprus trees...

Artist Statement: "We have a metal rocker in the backyard that has a certain aesthetic about it that I like to use amongst the flowers when they are in full bloom. It's an old chair ...

Title: Wild Flowers In My Vase Medium: Oil on canvas Size: 31 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Painted during the 2015 Winter Equestrian Festival in Wellington, Florida. A black and white depiction of a canal, is barely recognizable, due to Fenske's wild brushstrokes and lack...

Apples and Jug by Lu Haskew Pastel 18x24" image size 22x28" Framed behind glass, white wood with gold highlights Still Life of a brown jug surrounded by colo...

Serene river scene watercolor from important Bay Area figurative contemporary artists Mary Robertson, who is associated with the Bay Area Figurative School, founded by Elmer Bischoff...

Augustus William Dunbier (American, 1888-1977) Signed: Augustus W. Dunbier (Lower, Left) " Nature Morte Chinoise " circa 1950s Oil on Canvas 20" x 16" Housed in a 2 1/2" Gold Frame Overall Size: 24 1/2" x 20 1/2" Biography: Born on a farm in Polk County, Nebraska, during the famous blizzard of 1888, Augustus Dunbier became Nebraska's most prominent and widely traveled artist in the early to mid 20th century. Working until the year before his death at age 89, he painted landscapes, still life, and portraits in a style that others, but not he, labelled Impressionist. At age 10, he saw his first professional art work at the Trans-Mississippi Exposition in Omaha, and this exposure set the direction of his life. A year later, he returned with his parents to Germany from where his family had emigrated, and in 1907, he enrolled for seven years of study at the Dusseldorf Academy, known for its instruction in genre and history painting. However, Impressionist Adolf Munzer...

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...