Dorothy Violet Bywater-Schust Art

Immerse yourself in the tranquil glow of a perfect summer day with "Still Life Lemons with a Basket." This original oil painting on canvas captures a moment of pure serenity, invitin...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

This luminous gouache captures a majestic mountain vista, likely set in California’s Sierra Nevada (possibly Yosemite). Two broad granite peaks with sunlit faces dominate the backgro...

Acrylic on canvas Oil pastel accents Mixed media painting Textured surface Contemporary art Lemons, Italian Afternoon captures a moment of abundance as order gives way to chance. Sc...

Hans Paap (German/American, 1890-1967) Signed: H. PAAP. (Lower, Right) " A Lovely Bouquet ", circa 1940s Oil on Masonite 15 1/2" x 13 3/4" Housed in its original 6 1/4" Artist-M...

“Rowing on the Charles River, Harvard University” by Aiden Lassell Ripley (American, 1896-1969) A fantastic, rare view of Harvard University and the Charles River by renowned Americ...

Fred J. Maher (1871-1963) 'Sunset over the Beach' ‍ Watercolour on paper 31 x 38 cm, 51.5 x 57 cm framed Signed lower right Born in Newcastler, Maher was a frequent exhibitor at t...

"The Gift" (2024) by Mo Myra is a watercolor painting on paper that depicts a a horse and foal standing in a grassy field. Mo Myra, born in 1990, is a Connecticut-based artist celeb...

Carl Oscar Borg (1879–1947) An Old Military Road, The Road over Dovrefjell, Norway gouache on paper, ca. 1900 signed sheet 12.5 cm x 17.5 (4.9 x 6.9 in) framed 23 × 28 cm (9 × 11...

This vibrant yet softly nuanced composition draws inspiration from coral ecosystems, translating underwater biodiversity into expressive, organic forms rendered in delicate pastel to...

Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...

Artist Commentary: This painting of a Cape Cod house is made of 468 little paper squares that I pasted on the canvas. The window, flowers, and bushes were then added with oil paint. My friends and family say that gluing together hundreds of little squares together is slightly obsessional, but I think it actually demonstrates great patience! I love to lose myself into creating and pasting these repeating patterns. Then, I disrupt them with a disconnected and more loose painting on top. But as a whole, both parts are in fact united and harmonious, as they belong to the same Cape Cod house. This is how I feel about myself: one person with two very different cultures. From the outside, they can look quite disconnected, but they actually are not. In fact, I find that I unite both cultures by painting them. What about you? Do you feel like you are made of disconnecting parts? And what do you do to unite them? Words that describe this piece: window, flower, Cape Cod, Massachusetts, flower boxes, shrubs, greens, garden Artist Biography: Life is basically a huge collection of moments. Sometimes you have no idea how everything will end up tying together - Marion Buricatu...