Dorr Bothwell Prints and Multiples

This artwork, titled "Carnegie Hall," from the suite New York, New York, 1982, is an original color lithograph with silkscreen and embossing by American ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1095 (after painting Number 22, CR344), 1951, printed 1964 Screenprint, on Strathmore wove paper, numbered 49/50 in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left From the posthumous printing of 50 authorized by his widow, Lee Krasner, in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Artist: LeRoy Neiman Title: Nantucket Sailing Medium: Serigraph Year: 1980 Edition: 168/300 Frame Size: 30" x 35" Sheet Size: 25 5/8" x 30 7/8" Image Size: 20" x 24" Signed: Hand sig...

Josif Elgurt (1924-2007) Born in 1924 in Kischinow in Romania. In 1947 resumed his art studies in Kischinow. Since 1952 he hase lived in Riga and until 1958 he studied at the Latvia...

Mid Century Modern Palm Springs Architecture. White Porsche Cabriolet 911 vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Archit...

You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

You really need to bring home this wonderful & handsome serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

Theodoros Stamos’s 'Untitled' (1977) pair of screenprints is a powerful example of his mature abstract language, created during a period when he had fully developed his distinctive f...

Evening lights. Paper, screen printing, 18x18 cm Evening lights is an intriguing artwork created through the screen printing technique, capturing the essence of illuminated lights d...