Dr. Seuss (Theodore Geisel) Furniture

Unique circa 1970s, USA Brutalist-style horse bookends composed of cut and soldered sheet metal heads and legs with carved wooden bodies and wire tails. Very good, vintage condition,...

AUTHOR: KIPLING, Rudyard. TITLE: Many Inventions. PUBLISHER: London: Macmillan & Co., 1893. DESCRIPTION: FIRST EDITION SIGNED. 1 vol., signed by Kipling on the title-page under h...

Ombres de Chats by Angelo Barcella are poetic objects, delicate table sculptures. Shadows of curious, busy, sore, angry or bored cats, instants which are made eternal when transforme...

A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...

Roger Godchaux (1878 - 1958): two lioness figures / sculptures Silvered bronze mounted as bookends on marble plinths; both with plaque to base inscribed "Godchaux Sclp./ Susse Fres...

Art Deco Silver Plated Bronze French Bulldog Bookends by Genevieve Granger. These sleeping bulldog bookends are a masterclass in quiet charm. T...

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

Art Deco Ibex or Ram bookends, signed by the sculptor Max Le Verrier. The bookends are in green and black patinated art metal, France 1930. Literature: Art Deco sculpture by Vic...

A David Hockney rare hand-signed first edition/ first printing (with full number line "10 9 8 7 6 5 4 3 2 1") hard cover fine art book "That's The Way I See It" published by Chronicl...

First edition, first printing of this landmark document in the history of twentieth century graphic design and environmental wayfinding. 4to (8.5” x 11”), printed wrappers, 228 unnum...

The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...

First Edition, third issue of Dr. Seuss' most famous book, accompanied by a card bearing the AUTHOR's SIGNATURE and a quick SKETCH of his famous "green egg." Seuss, Dr. (Theodor Seuss Geisel, 1904 – 1991) The Cat in the Hat New York: Random House, 1957. First edition, First Printing, Third Issue. Dust jacket. 8vo, 9 x 6 1/2" (230 x 165 mm), (2) + 61 + (1) pp; pictorial end papers, verso of free end paper blank, pictorial title page, copyright page. Binding with glazed pictorial paper cover over boards and title on spine, very light signs of wear at corners and spine ends, binding stitched at 1 inch intervals; upper cover illustrated and lettered with addition of "For beginner readers"; back cover with excerpts from reviews printed in letterpress below illustration of chalkboard reading Educators hail The Cat in the Hat. Printed in red, black, salmon, dark blue and light blue on wove paper, with bold illustrations on every spread; pages a touch yellowed on edges. On the back of the last page of text is a note on the book enclosed within a large outline in blue of Cat in the Hat. The ORIGINAL DUST WRAPPER in near fine condition, with just slight wear on corners and a chip on the bottom of the spine, reproduces the book's cover; front flap bears price on upper right corner, 195/195, indicating this is the second state of the dust jacket. Accompanied by a small drawing of a "green egg" with "Dr. Seuss" autograph in black ink with on a light green index card, 3 x 5 in. (76 x 127 mm). [Younger & Hirsch 7; Greenaway 95] Dr. Seuss was challenged by Houghton Mifflin's Education Division director, William Ellsworth Spaulding, to create a book for young children using the 225 essential words for beginning readers, a book they would not want to put down. Seuss used 223 of the words from the list, plus 13 others. Seuss tricked kids into enjoying learning with his destructive and charismatic house guest. Inspired in part by Krazy Kat and Felix the Cat, but with a wily mind all his own, the Cat in the Hat's humor and naughtiness are engaged in the noble cause of literacy. "Parents," notes biographer Brian Jay Jones, "were more than happy to join Dr. Seuss as fellow revolutionaries. Even if parents didn't necessarily understand the pedagogy, it was easy to see the difference between the staid DICK AND JANE...

Original vintage post-World War Two propaganda poster - Poison Propagande De Guerre / Poison War Propaganda - featuring a dramatic illustration of a skull on a black background with ...

The Portal design is a simple exercise in optics and color. The clear color and reflective light are diffused by a surface etching on the top third of the interior of each bookend. A...

The Wrightsman Collection, Vols. I-V. New York: The Metropolitan Museum of Art, 1966-1973. First edition hardcovers with dust jackets. 2248 pp. Inscribed by the Wrightsmans. The complete series of The Wrightsman collection catalogues from The Metropolitan Museum of Art. Jayne and Charles Wrightsman, who, in a relatively short period of time—beginning in 1952—amassed the finest private collection in America of the decorative arts of the Ancien Régime (15th c until 1792). Throughout the years the Wrightsmans' active interest in the Department of European Sculpture and Decorative Arts has resulted in splendid gifts that have enabled the Museum to create an unparalleled and truly encyclopaedic collection of French 18th c...