Dragonette Private Label Furniture

A side/filler chair made in solid ashwood by bending wood. Three of the legs have been made using the wood-turning technique to adopt an abstract natural wave-like design. It has bee...

Set of 10 Danish modern dining chairs in Brazilian rosewood and new blue upholstery. Some slight wear in the form of small nicks and dents in the chair frames but no significant dist...

A super comfy matching pair of barrel back lounge chairs circa 1960's. These feature swiveling walnut base with blue fabric. Fabric is old and should be replaced.

Ceramic table lamp by Bitossi, Italy. Marked: B4/35 Italy. Existing wiring, we do not guaranty functionality, rewiring available upon request. The lamp base heigh 14"; diam -5.5". ...

A table lamp designed by Einar Johansen for Soholm Pottery, Denmark, circa 1970. Glazed stoneware. Existing wiring, rewiring available upon request.

Made from rolled aluminum — in a non-directional satin finish — and sheepskin, the Magna chair, designed by Charles Constantine, takes its inspiration from...

The 'Velvet' chair in black was designed from clean and pure lines with the elimination of any kind of excesses so that your greater identity were the colors, in a range of 09 options chosen by the user. By its Minimalist appearance, the color of the structure always accompanies the color of the fabric, guaranteeing visual unity to the product. The backrest height does not exceed the top of tables which reflects its minimalism concept...

Very rare and collectible Eames & Saarinen "Organic Chair", winner of Organic Design competition at MoMa. First manufacture from the early 1950s, laminated and moulded wooden seat shell, foam upholstery which was covered with textile fabric designed by Marli Ehrman. A special patented joint holds the wood legs firmly to the shell. Originals of the organic from the 1950s are collector's items and exhibited in museums. They are also traded on art auctions, where one was sold in 1999 for $ 120.000 in bed condition. (take a look at the picture) Designed for the “Organic Design” competition by Museum of Modern Art in New York on 1 October 1940. The competition was initiated by Elliot Noyes, the first curator of this newly installed department. The goal was to motivate architects and companies to develop and market modern furniture for a modern lifestyle. Their participation in the MoMa competition was the first collaboration between Eero Saarinen and Charles Eames, and they won first prize. Besides the chair, their submission comprised a high-back chair, an armchair, a sofa, and office furniture, which they presented in the form of several drawings. No true-to-scale prototypes were produced for the competition. Production of the “Organic Chair” only started in 1950 and was terminated after a short while. The original design had envisaged aluminium legs. This idea was discarded because the material was scarce during the war, and wood was used instead. New technologies were also involved in the production of the seat shell, which was composed of strips of veneer and was to ensure utmost stability and comfort while using as little material as possible and being extremely lightweight. Later on, Eames based...

Pair of dusty rose swivel chairs. Fabulous golden girls style. Wooden construction. Nice wide and round shape with a low profile. Classic 1980's-90's Post...

A remarkable pair of oak and walnut hall chairs after the Italian Renaissance designs which were adapted by the English in the early 18th century. This form of decorative stool was s...

Joe Colombo 'Minitopo' special edition table lamp in red for Stilnovo Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Midcen...

This chair is made from a traditional mortar, a tool once used in ancient Japan to prepare rice cakes. Its form has been transformed beyond the original shape of a mortar, resulting...