Drew Doggett Paintings

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

All puzzles are cleated 360 degrees on the back and can be hung in any direction - Acrylic, maple and uv resin David E. Peterson. The materials that I use are extremely important...

Los Angeles artist Taylour Martin creates captivating abstract compositions in acrylic on canvas, showcasing a dynamic interplay of emotions and colors. Martin's art is a reflection ...

These Robert Therrien “Chapel” works are consider Therrien’s iconic works - especially those done in the color red. A work very similar to this one was used on the cover of his first...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Artist : Ryan Wilks Title : Aesthetic of the Cross Materials : epoxy resin, chrome mirror paint, glass shards on wood board Date : 9-01-2020 Dimensions : 16" x 20" Description : Reimagining traditional depictions of the iconic cross, giving modern aesthetic to an ancient symbol. Epoxy casted, coated in chrome mirror paint and glass shards, light catches this piece from every direction, changing mood throughs the day as light within a space transitions from day to night. Ryan Wilks is a self-taught artist based in Kansas City, Missouri. Their work explores the various realities of queer existence. Primarily creating with oils, watercolors, sculptural assemblage, and ritual, their work sheds light on queer expression of spirituality and sexuality. Their bodies of work address and confront religion used as weapon and explores new modes of prayer through visual and participatory exhibitions. While religious and archetypal iconography such as the Devil and Lilith are seen within their figures in their paintings and used to express gender and queer ideologies, the work itself does not adopt the feeling of weighted religious rites. Instead, the work invites the viewer to participate in a modernized expression of spirit. Through figurative and narrative drawing and painting, through community-based performance ritual and ceremony, Wilks makes art that explores the various realities of queer existence. Gleaning inspiration from centuries old religious iconography and the oral and written histories documenting the queer experience from the beginning of time to their own personal experience today, Wilks' work strives to depict the push/pull, persecute/elevate relationships of humanity, sexuality, and spirituality. The use of more traditional materials and methods in Wilks' painting and drawing is an intentional nod to Italian masters such as Caravaggio, Titian, and Raphael, but it is the playfulness of Matisse’s figures and the contorting figures of Schiele that have influenced their work the most. Ritual and ceremonial performance is an integral aspect of Wilks'art. The use of objects, both found and made, and base elemental ingredients in occult practices are key components to their performances. Through movement, through ceremony, through studied and adaptive ritual, Wilks is able to engage an audience and create moments of sacred memory. Wilks' performance work is created and displayed in tandem with their 2-D work and further explores concepts displayed within their paintings and drawings. Through these methods of creating, engagement, and display of their art, Wilks strives to express the personal narrative of their queer experience, of their peers’, of those who have passed, and, ultimately, for future generations to research, decode, confront, and enjoy. Wilks has exhibited their work in at least 20 different solo exhibitions across the Kansas City Metropolitan area as well as being featured in 18 different publications regarding their work. Wilks' most recent artist residencies include the Artist in Residence program at the Crossroads Hotel, located in the heart of Kansas City's well known Crossroads Arts District, January-February 2020; and the Artist in Residence program at Arts KC, Jun-July 2020. In 2019, Wilks was nominated for "Best Exhibition" in the Pitch KC's annual "Best of KC" year-end round up for their exhibition "Hell", originally shown at Leedy-Voulkos Art Center. painting, watercolor, mixed media, human figure, religion, iconography, cultural commentary, queer art...

Zion Mor (Israeli, born 1958) "Urban Cityscape" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the bottom left of the painting. "Urban Cityscape" captures the quiet poetry...

Susan Kiefer By Any Means Oil on Canvas Year: 2021 Size: 16x16x1.35in Signed by hand COA provided Ref.: 924802-1056 Though born and raised in Kansas City, artist Susan Kiefer live...