Eduard Locota Seating

Materiality Vol 3 Materiality series represents the thinnest line between design and sculpture. Technical data: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass and cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. Shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. Dimensions may vary 1 – 2 cm. Few words from the artist: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. Plastic concept: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Memorable With a vocabulary of clear shapes, Eduard Locota is creating visually reductive works that imply rather than resemble the subjects in the artwork, beyond the threshold o...

The Story Walking along side to the coastline of Etretat, at the France’s Northern Coast. The verticality and powerful lines between rock and vegetation, between the shades of white...

Once upon a time, in the middle of the Ocean, on a very still day, while the sun was shining, a wave has appeared. Why did the wave appear exactly at that place and time? Nobody knows. What we know for centuries, is that the Ocean is never still, and always has waves at the horizon. We know that a wave is only energy. Energy transmitted through particles of water, causing it to swirl into an endless circular motion. And if not obstructed, waves have the potential to travel across an entire ocean basin. The story of the Wave Lounge was born once upon a time, while gazing at the never-ending blue horizon. Inspired by the vast energy of the wind and sea strongly colliding together, the idea of this monolithic functional sculpture was thus born. The concept As a piece of the Ocean, a strong presence of mass was needed in the style of Wave Lounge. The twist of a wave near braking point, encapsulated in time, that will completely charm the viewer’s eyes. With a total neglect for traditional design, this fully functional design piece will undoubtedly generate emotions. Be prepared to take a large slice of wave right into your home. Build process Build fully by hand, with acrylic glass as a primary material. For each piece, literally over 200 Kg of material was used for this monolithic functional artwork. it is necessary to pour over 60 colored layers of liquid acrylic...

ONIRIC COLLECTION is inspired by the surreal nature of dreams. Crafted from black quartz sand and resin, this collection embodies the delicate interplay between light and dark, trans...

MATERIALITY series represents the thinnest line between sculpture and design. TECHNICAL DATA: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Dimensions: l 47 cm / w 46 cm / h 42cm Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. FEW WORDS FROM THE ARTIST: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. PLASTIC CONCEPT: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...

The invisible words written under the surface of the throne, evoke the continuous struggle for power; the intrinsic need to overcome and replace what is – with what will be. That native state of the universe, which starts from the subatomic level to the macrocosm. The throne, symbol of the distorted perception of high positions, of dictators, pure white object...