Edward Weston Art

This print is number 16/250 and comes with a gray paper folder. Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on ...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative, now retired and housed at the Center for Creative Photography...

Printed by Cole Weston from the original negative now housed at the Center for Creative Photography in Tuscon, Arizona, retired. The Weston Gallery is owned by Matthew (grandson of Edward Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Artist reference number RH-R-1G. Printed from ...

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

This vintage silver gelatin print is Initialed and dated in pencil mount recto. Printed by Brett Weston in 1951 for the 50th Anniversary Portfolio.

Gelatin silver print on paper, a later printing by Cole Weston With the Edward Weston stamp verso, signed, titled, dated, and numbered in pencil by Cole Weston verso: PL40-K-4 Comes ...

From the 50th Anniversary Portfolio (1902 - 1952). Printed circa early 1950s by Brett Weston under Edward's supervision.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount.

Taos Pueblo, New Mexico (square hole) Gelatin silver print, 1933, printed 1953 A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples Provena...

This silver gelatin print made by Edward Weston's son, Cole, in the 1970s or '80s is titled, numbered, stamped and signed by Cole Weston on the back of the mount.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 63N. Printed later by Cole Weston.

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative, now retired and housed at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative by Cole ...

Titled and dated with artists reference number and stamped on the back of the mount. Printed and signed by Cole Weston.

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

This offering comes as a pair of two original photographs made by Edward Weston. Cats at Doorway is initialed and dated on the front of mount. Cats on Rock is unsigned.

Edward Weston (1886-1958) is one of the most revered and influential pioneers of modern photography in the 20th century. Renowned for his technical prowess and artistic innovation,...

Dante's View, Death Valley Gelatin silver print, (1938), printed in 1981 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-1954), supe...

Coolidge Dam, Arizona Gelatin silver print, (1938), printed later, circa 1980 Unsigned A lifetime printing by Brett Weston, supervised by his father Edward Edition of 5 or 6 examples...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 62A. The Weston Gallery is locat...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston.

Printed by Edward Weston's son Cole Weston. Signed and Stamped on Verso. Very good condition.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative by Cole Weston. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

The most iconic of the Weston shells, throughout 1927 he took twenty-six still life images of shells, including Nautilus 1927 (Museum of Modern Art, New York). His interest in nautil...

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964’ stamp on verso with artist, title, collection, EW birth/death date, number,...

This vintage or early silver gelatin print is signed, titled, dated, and numbered in pencil on the back of the print. This unmounted print was likely made in the 1930s.

This rare, vintage silver gelatin print is signed, dated and editioned (15/50) in pencil on the front of the mount, with title, date and number in pencil on the reverse of the mount....

Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964 stamp on verso with artist, title, collection, EW birth/death date, number, ...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...

This photograph printed in platinum is exceptional. The image suits the color and style of a platinum print. Printed by a master of the medium under the guise of Kim Weston...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed by Cole Weston.

Title and negative number together with Artist's studio stamp and signature on mount verso. Artist Reference Number NC-TB-1G. Printed later by Cole Weston from the original negative....

Code and information in unknown hand (possibly Dody Weston) on back of print. Authenticated by the Cole Weston trust on back of print. Unmounted. Early print.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed later by Cole Weston from ...

‘Museo De Arte Moderno, Mexico Bosque De Chapultepec, Exposicion Inaugural El Dia 20 De Septiembre De 1964 stamp on verso with artist, title, collection, EW birth/death date, number,...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original ne...

This silver gelatin contact print, made by Brett Weston c. 1953-54 under Edward's supervision, bears the Edward Weston estate stamp / numbering in pencil on the back of the print. Ac...

Edward Weston (American, 1886-1958) Eggs and Slicer, 1930 Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...

Stamped and signed on the back of the mount, Witkin label affixed to the back of the mount. Edition of 55. The Weston Gallery is located in Carmel-by-the-Sea, CA and owned by Matthew...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

The is the 20th Sand Dune, Oceano made by Weston (20SO) and a vintage print. It is quite rare as 38 are noted as being printed of vintage age but the amount known in existent may be ...

This original silver gelatin contact print is soft and luminous—the best example of this image the Gallery has seen, despite the many later prints by Brett Weston that were made for ...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative now housed at the Center for Creative Photography...

Initialed and dated in pencil on the front of the mount. Signed, titled and dated in pencil on the back of the mount. Printed in the mid-1940's and gifted to Glen Fishback, founder o...

Titled with artist's reference number on mount verso. Stamped, 'Edward Weston printed by' and signed by Cole Weston on mount verso. Printed later by Cole Weston. Artist Reference Num...

Initialed ‘EW”. From Edward Weston 50th Anniversary Portfolio printed by Brett Weston circa 1952.

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Editi...

Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...

From the 50th Anniversary Portfolio (1902 - 1952). Printed circa early 1950s by Brett Weston under Edward's supervision. 100.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston from the original...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Negative code '23T' which is now housed and retir...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston.

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Editi...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...