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Edward Wormley Mirrors

American, 1907-1995

As the longtime director of design for the Dunbar furniture company, Edward Wormley was, along with such peers as George Nelson at Herman Miller Inc., and Florence Knoll of Knoll Inc., one of the leading forces in bringing modern design into American homes in the mid-20th century. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently his vintage seating, storage cabinets, bar carts and other work has an understated warmth and a timeless quality that sets it apart from other furnishings of the era.

Wormley was born in rural Illinois and as a teenager took correspondence courses from the New York School of Interior Design. He later attended the Art Institute of Chicago but ran out of money for tuition before he could graduate. Marshall Field hired Wormley in 1930 to design a line of reproduction 18th-century English furniture; the following year he was hired by the Indiana-based Dunbar, where he quickly distinguished himself. It was a good match.

Dunbar was an unusual firm: it did not use automated production systems; its pieces were mostly hand-constructed. For his part, Wormley did not use metal as a major component of furniture; he liked craft elements such as caned seatbacks, tambour drawers, or the woven-wood cabinet fronts seen on his Model 5666 sideboard of 1956. He designed two lines for Dunbar each year — one traditional, one modern — until 1944, by which time the contemporary pieces had become the clear best sellers.

Many of Wormley’s signature pieces — chairs, sofas, tables and more — are modern interpretations of traditional forms. His 1946 Riemerschmid Chair — an example is in the collection of the Museum of Modern Art — recapitulates a late 19th-century German design. The long, slender finials of his Model 5580 dining chairs are based on those of Louis XVI chairs; his Listen-to-Me Chaise (1948) has a gentle Rococo curve; the “Precedent” line that Wormley designed for Drexel Furniture in 1947 is a simplified, pared-down take on muscular Georgian furniture. But he could invent new forms, as his Magazine table of 1953, with its bent wood pockets, and his tiered Magazine Tree (1947), both show. And Wormley kept his eye on design currents, creating a series of tables with tops that incorporate tiles and roundels by the great modern ceramicists Otto and Gertrud Natzler.

As the vintage items on 1stDibs demonstrate, Edward Wormley conceived of a subdued sort of modernism, designing furniture that fits into any decorating scheme and does not shout for attention.

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Creator: Edward Wormley
Square Raffia Mirror by Edward Wormley for Dunbar

Square Raffia Mirror by Edward Wormley for Dunbar

By Edward Wormley

Located in Sagaponack, NY

A square mahogany wall mirror with a woven raffia boarder.

Category

1950s American Mid-Century Modern Vintage Edward Wormley Mirrors

Materials

Mahogany, Glass, Raffia

Edward Wormley for Dunbar Mid Century Mahogany Wall Mirror
Edward Wormley for Dunbar Mid Century Mahogany Wall Mirror

Edward Wormley for Dunbar Mid Century Mahogany Wall Mirror

By Dunbar Furniture, Edward Wormley

Located in Franklin Park, IL

Edward Wormley for Dunbar Mid Century Mahogany Wall Mirror This mirror measures: 23.5 wide x 3.5 deep x 29.5 inches high We take our photos in a controlled lighting studio to show ...

Category

Mid-20th Century American Mid-Century Modern Edward Wormley Mirrors

Materials

Mirror, Mahogany

Set of Matching Mirrors by Edward Wormley for Dunbar, 1950s
Set of Matching Mirrors by Edward Wormley for Dunbar, 1950s

Set of Matching Mirrors by Edward Wormley for Dunbar, 1950s

By Dunbar Furniture, Edward Wormley

Located in Westport, CT

Rare set of matching mirrors designed by Edward Wormley for Dunbar, circa 1950s. Mahogany framing and caning fully restored. Original mirrors i...

Category

Mid-20th Century American Mid-Century Modern Edward Wormley Mirrors

Materials

Cane, Mahogany

Thin-Edged Brass Mirror by Edward Wormley for Dunbar, 1950s
Thin-Edged Brass Mirror by Edward Wormley for Dunbar, 1950s

Thin-Edged Brass Mirror by Edward Wormley for Dunbar, 1950s

By Dunbar Furniture, Edward Wormley

Located in Sagaponack, NY

A rare and beautifully rendered thin-edged square mirror in warmly patinated brass.

Category

1950s American Mid-Century Modern Vintage Edward Wormley Mirrors

Materials

Brass

Fine Edward Wormley Mirror for Dunbar
Fine Edward Wormley Mirror for Dunbar

Fine Edward Wormley Mirror for Dunbar

By Edward Wormley

Located in Chicago, IL

A fine Edward Wormley mirror for Dunbar. Thin wood profile. Signed on reverse.

Category

Mid-20th Century American Mid-Century Modern Edward Wormley Mirrors

Materials

Wood

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Edward Wormley mirrors for sale on 1stDibs.

Edward Wormley mirrors are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Edward Wormley mirrors, although gray editions of this piece are particularly popular. Many of the original mirrors by Edward Wormley were created in the mid-century modern style in united states during the 20th century. If you’re looking for additional options, many customers also consider mirrors by Milo Baughman, Ello, and Artisan House. Prices for Edward Wormley mirrors can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,500 and can go as high as $9,500, while a piece like these, on average, fetch $5,700.
Questions About Edward Wormley Mirrors
  • 1stDibs ExpertAugust 8, 2024
    Edward Wormley used a variety of materials over the course of his career. Among them were laminated wood, brass, marble and silk. Not an axiomatic modernist, Wormley deeply appreciated traditional design, and consequently, his vintage seating, storage cabinets, bar carts and other work have an understated warmth and a timeless quality that sets them apart from other furnishings of the era. On 1stDibs, explore a diverse assortment of Edward Wormley furniture.