Egidio Broggi Furniture

Hallmarked in London in 1892 by D. & J. Wellby, this impressive, nine basket, Edwardian, Antique Sterling Silver Epergne, is a fine example of Adam style design, featuring pierced work throughout, neoclassical decoration, four round baskets, four oval baskets and a larger oval basket...

Sterling silver cup, turquoise enamels encrustation. Stamps: Bagués, others illegibles. Weight: 878 grms Barcelona, circa 1950.

GUILLOCHE ENAMEL AND SILVER GILT From our collectables category, we are delighted to offer this incredible quality Italian Mid-Century Modern Silver and Enamel Box. The Silver and E...

An English silver caviar boat on diminutive square feet, late 19th century. Two slim lids lifting to reveal compartments for ice and a beautiful acorn finial on centre lid.

Introducing the epitome of sophistication: the Italian Mid Century Modern Jatoba Wood and Floral Decorated Silver Plated Cigarette Box by Ottaviani. Crafted with utmost precision and...

Offered is a stunning silver plated keepsake box dating to 1900, with associated hallmark. This small box includes a wooden interior with two slots and a blank square on top where initials could have been engraved. A well maintained, elegant piece, this antique silver box is an excellent addition to any silver or home decor collection. Trinket or keepsake boxes have taken on many forms since their first conception in ancient times. However their purpose remains the same; to store jewelry and other items precious to the owner. Originally, these boxes were used specifically for jewelry. These were in common use as early as 5000 BC in Ancient Egypt, when the majority of Egyptians, both male and female, wore jewelry. Boxes were used to keep these gemstone encrusted items safe. In Ancient Rome, jewelry was a status symbol. Rings and brooches were utilized to represent ones status in society. Again, boxes were needed for security and storage purposes. Finding early examples of these are quite rare. Victorian and Edwardian examples of trinket boxes are far more common. This is because owning jewellery was a luxury until the Victorian era- let alone possessing so much a box was needed to store it all. Fine jewelry and other items became available to the masses after the industrial revolution due to the reduction in production costs. This led to a demand for trinket boxes, which were much smaller than jewelry boxes and therefore better suited to the needs of the middle class who did not yet possess an abundance of jewelry. In Victorian households, collectables and other items of interested were also stashed inside these boxes. This is why they are known as trinket or keepsake boxes, rather than just jewelry boxes, although of course jewelry was also stored in them. Trinket boxes were produced in large numbers around this time. Many were lined with colored plush or velvet or rich wood. More elaborate designs had interior divisions and trays for rings and other pieces of jewellery. It was also common to see trinket boxes so small that they could only contain one item, such as a single ring. Ornate exteriors were created to reflect the value of the trinket boxes contents. The Edwardian era saw the introduction of new styles of trinket box. These included small circular or oblong boxes...

Elegant large silver plate bowl for Your table: for desserts or fruit, to prepare a table center piece for Christmas. It's very beautiful ! with a g...

Elegant and rich Mid Century Modern Copper Enamel Platter by Harold Tishler from the 1950s. The vivid copper background shines through the very dark gray enameling fading into a very light gray outer edge. The edges are folded in to create a softer feel. Two small drilled holes are on the bottom edge, probably needed during firing. Signed on the bottom center H. Tishler. Condition: Very Good. There are two small holes on either side of rim that were intentionally done, maybe for firing. Some rubbed spot on bottom by signature. Please look at all images and view our other H. Tishler listings. Measurements: 13 3/4 inches diameter x 2 1/4 inches high Harold Tishler (1893, Odessa – 1993, Florida) Studied engineering in 1910 at University of Grenoble but did not finished his studies and moved to New York 1913. During WWI, he joined the Merchant Marines and while visiting Japan was introduced to the art of Cloisonne enameling. In 1927, Tishler went to Vienna to study under Josef Hoffmann. Upon his return to NYC in 1932, he began producing copper and silver enamels that were sold at high-end stores. In 1935, Tishler visited a fellow student from the Kunstgewerbeschule in Vienna, Edward Winter in Cleveland. Tishler was impressed by Winter’s enameling...

Silver plated and enameled bat matchsafe, realistically cast and chased, with enameled wings, unmaked.

Postmodern Marble Box circa 1980

Fantastic pitcher from hammered brass, clearly mid-century with a hint of Hollywood Regency attached! Lovely heavy brass with the handle almost like a tendril, and a fluting top whic...

Made of Brass Made in India With aged patina Re-polished Good original condition.