Elie saab Clothing

An exceptional formal gown from Bob Mackie Boutique, this ice blue column dress is a testament to the designer’s mastery of theatrical glamour and intricate hand-finishing. Rendered ...

1996 GIVENCHY by GALLIANO Leopard gown Buttons down front to hem Condition : Excellent 21.75" bust, 21.75" waist, 25.25" hips, 58.5" length mannequin is a US sz 6 Size XS / S ru...

Balenciaga by Nicolas Ghesquière navy full-length gown, 2008 An incredibly elegant and architecturally constructed piece, with an internal corset bodice concealed by fluid draping to...

Fendi by Karl Lagerfeld black heavily embellished dress, Fall Winter 1996 Appeared on the runway in numerous looks alongside various sister looks and matching footwear Black nylon-ty...

Thierry Mugler S/S 1994 White Fan Pleated Dress; with pleated gathering to central metal ring at midriff, satin-covered lightly-boned corset to interior. Fi...

Cavalli vintage jeans with leopard and tiger animal patterns ABOUT Iconic Roberto Cavalli pants with leopard print. Black five-pocket model jeans in stretch cotton with feline and ...

S/S 1989 ALAIA mini dress has stretch rayon, polyamide and elastane fabric sz S 25" bust, 18" waist, 27" hips 28" length

Lanvin Silk Sheer Flower Overlay Dress, slip with hand detail

An exceptional and exquisitely constructed bridal gown attributed to Badgley Mischka, dating to the late 1990s to early 2000s, a formative period when the American design house was defining its signature blend of red-carpet glamour and refined bridal elegance. The gown is distinguished by a meticulously hand-beaded lace bodice, densely embroidered with scrolling floral motifs in ivory-on-ivory beadwork and sequins. The embellishment is both intricate and restrained, demonstrating the atelier-level craftsmanship for which Badgley Mischka was celebrated during this era. A sculptural square neckline with wide-set straps frames the décolletage, while long, semi-sheer lace sleeves provide balance and architectural softness. The fitted bodice transitions seamlessly into a fluid silk crepe skirt, cut close through the hips before falling into a gentle, elongated hemline with subtle flare. This contrast between ornate surface detail and minimalist drape is emblematic of Badgley Mischka’s bridal work at the turn of the millennium—timeless, elegant, and deliberately understated. The back of the gown is finished with a row of fabric-covered buttons, reinforcing its couture sensibility and period authenticity. The interior reveals structured boning and refined finishing, consistent with atelier or runway sample construction. The absence of a sewn-in label is in keeping with known Badgley Mischka bridal samples from this era, many of which were produced for showroom presentation or press and never intended for retail sale. Presented in exceptional vintage condition, with beadwork intact and fabric retaining its original luminosity, this gown represents a rare opportunity to acquire a true designer bridal piece from a pivotal moment in modern American fashion history. Authentic vintage Badgley Mischka...

Gianfranco Ferré black gown with sheer sleeves, ca. 1970 Long black wool dress with subtle shimmer featuring waistcoat-style bodice with sheer sleeves. Mermaid skirt features diagona...

Calvin Klein Black Lace Cocktail Dress, c. 1990s. Calvin Klein Black Lace Cocktail Dress featuring low cut V-ncekline and shoulder pads. Beautiful Lace hem extends past chiffon linin...

A true "Audrey" Dress Square neck font and back with a slim pegged silhouette. Tailored to give a slim fit and cinched at waist. Crafted with silky, luxurious silk from Taroni Sati...