Eliyahu Sigard Art

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

Title: Paseo de Sitges Artist: Jordi Curós Ventura (1930–2017) Medium: Oil on canvas Dimensions: 23.6 x 28.7 in Signature: Signed in the lower righ...

Fauve landscape with palm trees and Arab houses. 1 half of the 20th century. Gouache paintings on cardboard. Paintings is signed with monogram. Dimensions with Passepartout 45.5cm x ...

Signed lower left, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, on old label, 'L'escalier du Jardin (Mandelie '. From 1947,...

Signed lower right, 'Picot' for Jean-Claude Picot (French, born 1933), and painted circa 1985; additionally titled, verso, 'La Route Vers St Jean Cap Ferr'. Beginning in 1947, Picot...

CELSO LAGAR Spanish, 1891 - 1966 FORAINS SUR LA PLAGE signed "Lagar" (lower right) signed, located, dated and titled “Lagar Pennedepie sur Honfleur / 1951 / Forains dans la Grove” (o...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Signed and titled gouache on paper figures in landscape circa 1920 by French fauvist painter Raoul Dufy. The piece is executed in red and blue and the design depicts a hunter on hors...

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

André Derain Nude Woman Signed lower right Sanguine on paper 23 x 16 1/4 inches Provenance Harold Prince, New York Daniel Kutner, Cranford, New Jersey (acquired from the above) An...

Title: Promenade in Sant Feliu de Guíxols Artist: Josep Amat Pagès (Barcelona, 1901 – 1991) Technique: Oil on canvas Dimensions: 50 x 65 cm (approximately 19.7 x 25.6 in) Support...

Signed nude watercolour on paper circa 1900 by Kees van Dongen. The piece depicts a standing nude woman with her hair tied up facing away from the artist. This superb work can be dir...