Emanuele Diliberto Picture Frames

This beautiful artist’s easel was created in England in circa 1900, in the early 20th century. The easel is of tripod form, being set on three supports. Its feet and top are scrolled...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Gorgeous rectangular photo frame fully made in a fantastic thick curved leather. This incredibly elegant and unique object was hand-made in Italy during the 1970s by Nova Tecno. Thi...

Elegant Murano glass picture frame by Barovier & Toso, Italy 1940. The hand blown Murano glass has been twisted and shaped in the Torchon to create a thick ribbed texture. Beautif...

An antique Italian painting offers enamel on copper portrait of a Classical woman seated in reticulated foliate giltwood frame, artist signed with initials as photographed, 19th cent...

Midcentury beautiful picture frame in faux tortoiseshell lucite and brass details by Team Guzzini. Made in Italy in the 1970s. Perfect desk object or gift idea.

Magnificent cut glass picture frame with brass mount. Designed by Max Ingrand, manufactured by Fontana Arte in Italy in the 1960s. The two shiny green glasses are in excellent condit...

Elegant medium Murano glass picture frame by Barovier & Toso, Italy 1940. Signed in the brass frame The hand blown Murano glass has been twisted and shaped in the Torchon to create...

Beautiful oil on canvas from the 19th century representing a navy. In the foreground, a three-masted ship is moored in the basin, further on we can see other ships and also a quay. V...

Emanuele Pantanella (1939-2014), Italy, designed this sumptuous picture photo frame circa 1980. The piece boasts a solid tropical wood carved construction with a high gloss polished ...

Oil painting on canvas, 1970s Saussay, France, near Paris Author's work Signed Wooden frame with golden profile Landscape paintings.  In these times, art has returned to our walls in...

Murano Sub line glass object by artist Raffael Eros Beautiful Murano glass panel made by master and artist Raffael Eros with fused glass, featuring glass canes, transparent colours, handmade Murrine and opaque lines. Powder-coated iron frame. Single piece. Warranty certificate included. Eros RAFFAEL (Murano (Venice) 1970) Raffael started his artistic career at the age of 14. He collaborated with the best Murano masters, from whom he acquired the ability to manipulate glass in all techniques. Over time, he found it necessary to combine his work with art as a means of creativity. It is presented with works that include the processes: blown, solid, glass fusion, lamp, ground. Eros carries out all processing stages personally. 20TH CENTURY - NEW IDENTITY AND THE ART OF MURANO GLASS In the beginning of the 20th century, the master glassmakers of Murano were still enamored with reproducing classical styles and rediscovering ancient techniques, which was evident at Murano and Venice Exhibition of Choice Glass and Glass Objects staged in 1895 inside Murano City Hall. The rules of the exhibition dictated that the works showcased be reproductions of antique glassware. This important event was well attended by international collectors and glass admirers who greatly appreciated the works rooted in unique Murano tradition. The best works of Murano artists were on display; many were a product of an important glassmaking technique called Murrino (mosaic), which was rediscovered at the end of the 19th century by Vittorio Zuffi while working for Fratelli Toso. This technique originally emerged in the 16th century in an effort to imitate ancient Roman vases. Murano’s famous firm Artisti Barovier received the Honorary Diploma and the Gold Medal. Other artists enjoying popularity in Murano at the time were Salviati, Testolini, and The Toso Brothers (Fratelli Toso). The year 1895 was also the time of the first Venice Biennial exhibition where new works of art in avant-garde and art nouveau styles were showcased. This highlighted the gap between the modern trends gaining strength in Europe at the time and the works of Murano artisans who were deeply attached to the styles and methods of the past. This gap became even more obvious at the Universal Exposition in Paris in 1900, followed by Expositions of Decorative Arts in Turin in 1902 and Milan in 1906. Some Murano artisans, like Vittorio Toso Borella, became receptive to the new winds blowing on the art scene and started to produce works in art nouveaustyle. Though he originally got mixed reviews for the works he exhibited at Ca’ Pesaro in 1909, Vittorio went on to produce masterpieces that later became universally appreciated. Ca’ Pesaro, unlike Venice Biennial, became an exhibition embracing new artistic trends and showcasing many works in art vouveau style by young artists such as Gino Rossi, Arturo Martini, and Guido Marussig. One of the artists, Vittorio Zecchin, collaborated extensively with Artisti Barovier to create designs for their famous glassware. In the 1920s, art nouveau slowly got replaced by more modern styles with simpler, cleaner, and more functional designs. Art deco took the center stage and with it came less decorated objects with softer lines and more focus on glassware as part of interior design, not a piece of art in and of itself. A new company, Vetri Soffiati Muranesi Capellin Venini, founded in 1921 under Vittorio Zecchin as its head designer became the champion of this style. A little later, in the late 1920s to early 1930s, another important trend arose in Murano led by Maestri Vetrai Muranesi Capellin & Co. and Vetreria Artistica Barovier. The trend was glass animals, which remain popular even today. Other important innovations championed in 1930s and continued in early 1940s were production of glass statues of female nudes and classical figures of boxers and gods, engraving on glass, modern lighting fixtures, perfectly proportioned transparent glass tableware, and the invention of vetro sommerso ? a technique allowing to produce thick glassware with one color on the outside and another on the inside. During World War II the industry did not thrive, but as soon as the war was over the glass masters of Murano returned to their art and created pieces deeply rooted in interior design trends of that time with focus on minimalism, functionality, and simplicity. To support these trends Murano artists and artisans returned to techniques of the past such as filigree, murrino, and lattimo. From that point onwards Murano saw continued exploration of styles and techniques striving to find a happy medium...