Emaus Furniture

Bold and sculptural collar necklace handcrafted in Taxco, Mexico, featuring a dramatic fan of tapered sterling silver "spikes" accented with inlaid malachite gemstones. The articulat...

A sculptural charcoal collage tiles part of the Brutal Nature collection by Peter Glassford, handcrafted from reclaimed wood fragments and assembled into ...

Brutalist patinated brass wall sculpture in the style of Jean Claude Dresse.

Midcentury Swedish hand-wrought steel candelabra with four candleholders. 18 cut steel hearts adorn frame. Signed with stamp, Made in Sweden.    

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

Circa 1960. We offer this Brutalist brass wall sculpture.

This unique brutalist wall relief was sculpted with bronzed resin over wood, in the style of Paul Evans, circa 1970s. Incredible textures and col...

A Swedish wrought iron candelabra from the 1940. Hand-forged with a spiral base and four curved arms, this piece blends Scandinavian Modern elegance with a raw, Brutalist edge. Both ...

1824 Brutalist brass and copper geometric wall sculpture on a nickel backround

A vintage 1970s Brutalist metal wall sculpture. Patinated metal, likely iron by the weight, It is not signed that we can see. It has been re-sprayed with finish and polished and clea...

Nice unique hand carved wood chess / backgammon set portable complete .

A Pine Carving of Virgin and Child signed E. Lechner. Carved in 15th Century style, a high relief with a hollowed back and depicting the crowned Virgin standing on contrapose with lo...