Emaus Furniture

Bold and sculptural collar necklace handcrafted in Taxco, Mexico, featuring a dramatic fan of tapered sterling silver "spikes" accented with inlaid malachite gemstones. The articulat...

Brutalist patinated brass wall sculpture in the style of Jean Claude Dresse.

A sculptural charcoal collage tiles by Peter Glassford, handcrafted from reclaimed wood fragments and assembled into a richly textured, one-of-a-kind comp...

Midcentury Swedish hand-wrought steel candelabra with four candleholders. 18 cut steel hearts adorn frame. Signed with stamp, Made in Sweden.    

Glass and Stone Mosaic abstract wall art sculpture, The Netherlands 1964, The Hague, By Han van Hattem Dated and Signed 1964.

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

This unique brutalist wall relief was sculpted with bronzed resin over wood, in the style of Paul Evans, circa 1970s. Incredible textures and col...

A Swedish wrought iron candelabra from the 1940. Hand-forged with a spiral base and four curved arms, this piece blends Scandinavian Modern elegance with a raw, Brutalist edge. Both ...

Charming glazed ceramic wall plaque depicting three owls sitting on a branch. Fabricated by EGO Stengods, Sweden, 1960s.

Decorative Bronze Wall Sculpture created by layering hammered bronze circles, some of which have been oxidized by time and enhance the patina of the artwork

Brutalist wall sculpture designed and manufactured by the Danish artist Henrik Horst, circa 1970s. Patinated metal construction mounted on a frame of wood.

A fine tall ormolu devotion medal featuring Virgin Mary, arms folded on the chest, radiant crown behind the head, "Marie, Mater Dei, Regina Celi" latin sentence written on the edge, ...