Emmanuel Snitkovsky Figurative Paintings
to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
1
1
1
1
1
462
330
261
214
1
Artist: emmanuel Snitkovsky
Outside the Synagogue Russian Judaica Oil Painting
By Emmanuel Snitkovsky
Located in Surfside, FL
This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City.
Emmanuil Snitkovsky is an internationally known artist, sculpture and poet.
Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique.
Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were
exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart
Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture.
Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she
achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...
Category
1980s Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Illustration Board
Related Items
Marin County Meadows and Pond with Oak Trees by Manuel Valencia Tonalist Pioneer
Located in Soquel, CA
Marin County Meadows and Pond with Oak Trees by Manuel Valencia Tonalist Pioneer
A painter of California history and western landscapes, Manuel Valencia was born in Marin County, California in 1856 on the Rancho San Jose, the Valencia hacienda. The family received many land grants in the San Francisco area because of their ties to settlement history.
Image 8"H x 11.5"W
Frame, 14.5"H x 18.5"W x 2.75"D
The central focus of the painting is a cluster of lush, verdant trees, likely deciduous, situated near a calm body of water, possibly a pond or slow-moving creek. With a faint outline of figures emerging into the meadow below the towering trees. The foreground features a grassy area with hints of wildflowers or textured ground cover, leading the eye towards the water's edge. In the background, beyond the main cluster of trees, there appears to be a smaller, indistinct structure, possibly a house or shed, suggesting a subtle human presence in the otherwise natural scene. The overall composition is balanced and serene, typical of Tonalist works seeking to evoke a peaceful mood rather than dramatic narrative.
Color Palette and Light: The painting employs a subdued, Tonalist color palette, dominated by varying shades of greens, browns, and grays for the landscape elements, and a muted, possibly overcast or hazy sky in the upper portion of the canvas. The light source is diffused and soft, creating a gentle luminosity across the scene, particularly noticeable on the surface of the water which reflects the muted tones of the sky and surrounding foliage. This soft lighting emphasizes the atmospheric quality and quiet mood of the scene.
He was a descendant of General Gabriel Valencia, the first governor of the state of Sonora, Mexico under Spanish rule. He was named for his grandfather, who arrived in California in 1774 and became administrator of the Presidio in San Francisco.
As a Tonalist, Valencia primarily focused on variations in value and muted color palettes, often featuring greens, purples, blues, and grays. This emphasis on subtle shifts in tone, rather than sharp contrasts, allowed him to create smooth transitions between light and shadow, mimicking the soft, diffused light found in atmospheric conditions like mist, twilight, or moonlight.
Valencia studied with artists including Jules Tavernier in the San Francisco area, where he lived his entire life, and attended what is now Santa Clara University. He also spent some time in Mexico where he was a member of the Esquela de Bellas Artes de Mexico.
Early in his career, he was a commercial artist who designed calling cards. After the 1906 earthquake and fire, Valencia and his family moved to San Jose, but he commuted to his studio in San Francisco. There he was art editor of the "San Francisco Chronicle" newspaper under art patron M.H. de Young, for whom the museum in San Francisco is named. War Cry, the Salvation Army newspaper, also hired Valencia as its first illustrator.
During the time he did illustration work in San Francisco, he kept studios in Monterey and Santa Cruz, did landscapes in Tonalist styles including moonlit scenes that were similar to those of Charles Rollo Peters and indicated he had an awareness of the poetic aesthetic of James McNeill Whistler.
Around 1912, he began exhibiting in San Francisco galleries such as S & J Gumps and in New York at Macbeth Gallery and exclusive restaurants such as Delmonico's. President William McKinley, who purchased one of his Yosemite paintings...
Category
Early 1900s American Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Illustration Board
$1,625 Sale Price
35% Off
H 145.5 in W 18.5 in D 2.75 in
Mid Century Figurative Seascape with Sailboats
By Henryk Dzienczarski
Located in Soquel, CA
Mid-century figurative seascape with boats by Henryk Dzienczarski, (Poland, b-1917). Signed "H. Dzienczarski" lower right. Displayed in a wood fra...
Category
1950s Post-Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Illustration Board
$356 Sale Price
35% Off
H 14.5 in W 17.25 in D 0.75 in
Wells Fargo Express, Gold Country -- Columbia, California
By Cecil F. Chamberlin
Located in Soquel, CA
Charming oil painting of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by Cecil ...
Category
1950s American Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Illustration Board
$1,320 Sale Price
20% Off
H 27 in W 30.75 in D 2 in
Le jardin de Daubigny Style of Vincent Van Gogh Daubigny's Garden by S. Goosson
Located in Soquel, CA
Le jardin de Daubigny Style of Vincent Van Gogh by Stephen Goosson
The painting depicts the enclosed garden of Charles-François Daubigny, a French landscape painter whom Van Gogh ad...
Category
1950s Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Illustration Board
Stephen GoossonLe jardin de Daubigny Style of Vincent Van Gogh Daubigny's Garden by S. Goosson, 1951
$2,737 Sale Price
25% Off
H 16.63 in W 1,463 in D 1 in
Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass
By Edna Gass
Located in Soquel, CA
Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass
Women Seated in the Garden 'Femmos Restant" by New Hope Artist Edna Gass (American, 1904–1993).
Image, ...
Category
1940s Post-Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Illustration Board
$1,722 Sale Price
35% Off
H 10 in W 8 in D 1 in
Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith
By William Keith
Located in Soquel, CA
Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith
Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for.
Signed "W. Keith" lower left.
Museum label on verso from Santa Barbara Museum of Art.
Presented in an antique giltwood frame.
Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D.
Provenance:
Mrs. Eugene Patterson; Santa Barbara Museum of Art.
Authenticity guaranteed and certificate include.
Condition:
Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available.
About the Artist:
Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife.
The Northern Pacific Railroad...
Category
1890s Pre-Raphaelite Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Illustration Board
$3,080 Sale Price
20% Off
H 16.25 in W 21.5 in D 3 in
Rota, Spanish Landscape -- Pobre Casa Cadiz
By John Sackas
Located in Soquel, CA
Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower Left "Sackas" and verso Rota
Farm House Cadiz" "John Sackas" . Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W.
Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...
Category
1950s American Impressionist Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Canvas, Illustration Board
$812 Sale Price
35% Off
H 18 in W 22 in D 7 in
Hudson River School Style - The Homestead and Grist Mill 1942
By A. Mathieu
Located in Soquel, CA
Hudson River School Style - The Homestead and Grist Mill 1942
In the Hudson River School style by A (K) Mathieu (American, 19th-20th C). Harvest time at the Homestead with a hay wago...
Category
1940s Hudson River School Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Illustration Board, Stretcher Bars
$1,480 Sale Price
20% Off
H 21.5 in W 25 in D 2.25 in
Coney Island, Fourth of July
Located in Los Angeles, CA
Coney Island, Fourth of July, c. 1940s, oil on canvas applied to Masonite, signed upper right, 26 x 21 1/2 inches, presented in its original frame
During the 1930s and 40s, Coney I...
Category
1940s American Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Board, Oil, Canvas
'Port of Saint-Malo', French Modern School
Located in London, GB
'Port of Saint-Malo', oil on canvas affixed to board, French Modern School (1984). Although the artist dated this painting '84, it depicts a nostalgic view of the port of Saint-Malo in Western France's, Brittany in 1884 judging by the clothing worn by the characters depicted. The crowd on the shoreline is watching a sailboat regatta starting just inside the port's breakwater. A rather rare sunny day in Brittany brought out the parasols of the sitting ladies on the edge of the old ramparts. The walled city...
Category
1980s Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Board
Mid Century Boat Docks Pacific Grove Landscape
Located in Soquel, CA
Painterly scene of boats and boats being built at the docks in old Pacific Grove, California by an unknown artist (American, 20th Century). Signed"WHM" lower left. Presented in a fau...
Category
1950s Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Illustration Board
Morning Sunrise, Mid Century Laguna Hills Figurative Landscape
Located in Soquel, CA
Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...
Category
1950s American Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Canvas, Oil, Cardboard
$719 Sale Price
20% Off
H 20 in W 24 in D 2 in
Previously Available Items
Outside the Synagogue Russian Judaica Oil Painting
By Emmanuel Snitkovsky
Located in Surfside, FL
This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City.
Emmanuil Snitkovsky is an internationally known artist, sculpture and poet.
Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique.
Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were
exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart
Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture.
Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she
achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...
Category
1980s Modern Emmanuel Snitkovsky Figurative Paintings
Materials
Oil, Illustration Board, Canvas
Emmanuel Snitkovsky figurative paintings for sale on 1stDibs.
Find a wide variety of authentic emmanuel Snitkovsky figurative paintings available for sale on 1stDibs. You can also browse by medium to find art by emmanuel Snitkovsky in paint, acrylic paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large emmanuel Snitkovsky figurative paintings, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Erté, Charles Levier, and Robert Branham. emmanuel Snitkovsky figurative paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,800 and tops out at $9,500, while the average work can sell for $5,650.