Eric Pesso Sculptures

This modular work features hues of red and blue. Two separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia ...

This modular work features hues of red and blue. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazi...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

Pigmented satin lacquer on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make ...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

This modular work features hues of orange and yellow. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and ...

No.080925 is an abstract sculpture in wood by French sculptor Thierry Martenon. Maple wood, India ink patina, 161 × 60 × 22 cm. This large sculpture elegantly combines different text...

Pigmented satin lacquer on solid poplar Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

Pigmented satin lacquer on solid maple Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Con...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...