Erik Andersen Armchairs

Erik Wørts - Rosewood and Cane Back Armchair Erik Worts achieved great commercial success in his design career largely through collaborations with IKEA in Sweden and FDB Mobler in D...

Erik Kirkegaard - Compass Desk Chair, c1960s A rare and highly sought-after desk chair by Erik Kirkegaard, produced by Hong Stolefabrik in Denmark, circa 1956. The curved back provi...

All original condition armchair by Swedish designer Sven-Erik Fryklund for Hagafors Stolfabrik, Sweden c. 1950s. With its wonderful egonomic design and constructed of birch that has ...

Denmark, 1950s Beautifully made teak armchair with gently curved armrests and coiled spring seat and back, designed by Grete Jalk. Frame is made of old growth teak that has very tigh...

Arne Vodder for Sibast Møbler, armchair, model '430,' teak and leather, Denmark, 1960s. This dining chair is designed by the Danish designer Arne Vodder. This modest and elegant ch...

Rare set of 6 armchairs / dining chairs designed by Erik Kirkegaard. Produced by Høng Stolefabrik in Denmark.

Stylish and exceptionally well-crafted Danish desk chair / armchair designed by Erik Buch and produced by Christiansen Møbelfabrik in the 1960s. Made from solid teak, the chair featu...

Elegant armchair designed by Erik Kirkegaard and produced by Høng Stolefabrik in the 1960s. Crafted from stunning rosewood and upholstered in black leather, this chair showcases the ...

Semi rare armchair designed by Axel Larsson for Swedish firm Svängsta Stilmöbler and produced in the 1950s. Seating element of stained and molded teak on a stained beech frame. This ...

Hardwood frame with leather upholstered seat and back rest. Designed by Erik Kirkegaard for Høng Stolefabrik in the 1960s, model 4...

A rare and extremely stylish pair of Danish chairs by Johannes Andersen. They were made in Denmark, they date from the 1960’s. The quality is superb, they are beautifully designed w...

There is a certain “Malmstenesque” charm to the Swedish designer’s pieces that manifests in the gentle but defined curves, cosy appearance and in the modern way Carl Malmsten skilfully carried the heritage of traditional allmoge (folk art) design. The expression “Swedish Modern” was first used at the 1939 New York World Fair, when the designer introduced the model “Oskar”. Similarly to that model, Malmsten remained a traditionalist, mainly concerned with comfort regarding the “Stora Furulid...