Ernest Bachrach Photography

Gordon Parks. Farm, road, and telephone lines. c. 1950. Vintage gelatin silver print. Parks' LIFE credit stamp verso, and the same numeric notation twice...

Ansel Adams, Autumn Storm, Las Trampas, Near Penasco, New Mexico, 1958. Printed 1981. Gelatin silver print. Southwest landscape photography. Signed on mount recto by the artist.

Paul Caponigro. Reflecting Stream, 1968. Gelatin silver print. Edition 41 of 100 (special edition created in the 1970's). Mounted and matted 23.5 x 29". Signed and editioned on print...

Jerry Uelsmann. Psycho House, 1978. Image Size; 18.75 x 14.5" (paper size: 20 x 16"). Framed 30 x 27". Signed, dated and titled on print verso including studio stamp. A pioneer in ...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Elliott Erwitt. Brasilia, 1961. 8 x 11.75" (11 x 14" paper). Signed on print recto. [Broken Down Truck with People and Horse]

Yousuf Karsh, Cellist Pablo Casals, 1954, mounted 28 x 22". Framed 33.5 x 27". Signed by artist on mount recto. (Cello).

Yousuf Karsh, Alberto Giacometti, 1965, (Printed 1970s). 19.5 x 15.75", (framed 30.5 x 24"). signed on mount recto.

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. Lightning Strikes, New Mexico 2014, available in several sizes, please inquire.

The image of Alfred Stieglitz standing in front of Black Iris III painted by Georgia O'Keeffe in 1926. When Imogen Cunningham took this picture in 1934, the painting was hanging in S...

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. Smoking Break, Germany, 2007, available in several sizes, please inquire.

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...