Ernest Florian Art

ONE WEEK ONLY SALE This woodcut print is an expressionist print on one of the poems from Max Weber's poetry collection "Primitives: Poems and Woodcuts". This work is signed in penci...

Kiki Smith 'Untitled,' 1995 Woodcut with color additions by hand 31 x 21 inches Edition 43 of 47 Signed In 1995 five well-known American artists - Donald Baechler, Julian Lethbridge...

Artist: Utagawa Kunisada "Toyokuni the Third" (Japanese 1786 - 1864) Page Size: 14 x 9.5 in. Frame Size: 21 x 16.25 Translation of Calligraphic Japanese Text: 大星由良之助 Ōboshi Yuranosu...

A woodblock print of a Japanese geisha in elegant clothing against a yellow decorative background. By Paul Jacoulet 15.5" x 12" Woodblock print on paper Framed Size: 22.5" x 18.5" ...

Paul Jacoulet ( France, Japan 1902 - 1960 ) Title: La Mariée Seoul, Corée Medium: Woodblock Print Size: 15.5 in. x 12 in. Movement: Showa Markings: Si...

Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...

UMETARO AZECHI Title: Mountain Man and Bird Medium: Woodblock Print Measurements: 5 x 7 inches Framing: Framed (12 x 13.44 inches)

Absorbing black and white woodcut of a nude female figure in the water surrounded by sea life and small figures by French artist Colette Pettier, 1936. Signed, dated and numbered 49 ...

“A voice is heard in Ramah, mourning and great weeping, Rachel weeping for her children and refusing to be comforted, because they are no more.” This verse from Jeremiah 31:15 is the subject of this woodcut print by Jacob Steinhardt, depicting Rachel, who was the mother of the tribes of Joshua and Benjamin, and who was the wife of Jacob who was Israel, weeping for her children which is to be understood as after the destruction of the First Temple in Jerusalem, the Israelites were clustered into Ramah, the home of the Benjaminites, before being taken into the Babylonian captivity; Rachel is weeping for the destruction and expulsion of her descendants. This work is exemplary of the Jewish themes of Jacob Steinhardt, a German Jew...

Tohoyara Chikanobu "Women in a Garden" Woodcut print on Paper Tryptich totalling 13 x 29" Framed size 20 x 35" The triptych of woodcut prints features a classic scene of a garden in...

Engelina (Engelien) Reitsma-Valença (3 May 1889 - 11 July 1981) Amsterdam, Netherland. The portrait is of a violinist playing what appears to be an enervating piece. An engraver, st...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Bronc by Lon Megargee, Woodblock Print ca. 1920s Handmade Saguaro Rib Frame, double linen mat, museum archival materials Bronc Woodblock Print, signed in print Image: 8 3/4 x 9 7/8 inches Frame: 21 x 20 inches SHIPPING CHARGES INCLUDES, SHIPPING, PACKAGING & INSURANCE FINE ART ESTATE OF LON MEGARGEE Megargee Custom Handmade Saguaro Frame We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Free shipping Continental US Biography Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...