Furniture

Carrara MARBLE ROMAN TORSO 19th century HEIGHT 54cm MAXIMUM HEIGHT 70cm WIDTH 30cm DEPTH 20cm OVERALL WEIGHT 56 Kg BASE HEIGHT INCLUDED 70 cm Material White carrara marble Base in N...

Experience the timeless beauty of Affortunato Gory's "Baigneuse," a captivating bronze sculpture that epitomizes the elegance and grace of the Art Deco era. This exquisite piece dep...

19th century bronze sculpture depicting mozes (michel Angelo).

A Life-Size Italian 19th Century Carrara Marble Statue of a Dancing Faun with Cymbals signed by A. Frilli, Firenze. This piece is after the original model by Massimiliano Soldani (I...

"Nymphe Fluviale" by Mathurin Moreau (1822-1912) and Barbedienne foundry. The same sculpture can be found on "fontaine du Theâtre-Francais" on Paris and made for the Universal Exposi...

Bust of 'Marie Antoinette' After the original by Felix Lecomte Constructed in Carrara statuary marble, the bust of the Queen is set on a truncated ...

Bronze figure of 'La Nature se dévoilant devant la Science' by Louis-Ernest Barrias. Inscribed 'E. Barrias' and with Susse Frères foundry cachet and further Susse inscription. Thi...

White marble sculpture of Cupid based on a work by Étienne Maurice Falconet (1716-1791), the original of which is in the Louvre Museum in Paris. It is presented on a gilded wooden base with a pearl stripe. Very fine craftsmanship and high quality for this 19th-century white veined Carrara marble statue of Cupid. Height with base: 59 cm. Weight: 30 kg. The original work, also known as “L'Amour menaçant...

Grand Tour Carved Marble Statue of the Empress Livia Drusilla After the Antique. A true depiction of the Classical Statue of Rome's First Empress. Livia Drusilla (30 January 59 BC – 28 September AD 29) was Roman empress...

Sculpture of Diana the Huntress, 21st century. Sculpture on base of Diana the Huntress, in patinated plaster and resin, 21st century, model from the Musée du Louvres, Paris. H: 32c...

SALE ONE WEEK ONLY “Leda and the Swan” is by Reuben Nakian (1897 - 1986). He was an American sculptor and teacher of Armenian extraction. His works’ recurring themes are from Greek and Roman mythology. Nakian’s small bronzes achieve majesty and power which are not dependent on size and amplitude. With characteristic freshness, he has reinterpreted the classical subject of Leda and the Swan refining it in the Classical-Renaissance-Baroque tradition in a contemporary way. Dr. Robert P. Metzger gives us his aesthetic interpretation of this work which retells the myth in classical hedonism and freedom of expression showing Leda and the Swann prior to her being ravaged and during their first meeting. “The young virgin is fascinated with her new found friend and accepts him in a spirit of playfulness, contentment and wonder. She is dreamily available and shyly seductive as the deceptively tame swan snuggles up to her with its phallic-like neck.” Leda appears composed, placid yet open and available as compared to her more intense and passionate states in other of Nakian’s depictions on the same theme. This was cast at the "Renaissance Art Foundry" in 1978 and is so marked on the base being #5 of 7. It is believed that “no other sculptor of the twentieth century matched Rueben’s heroic renditions with the grand themes of Western Art. His erotic mythological figures exude a joyous energy of gesture and movement which place them among seminal sculptural achievements of the past one hundred years.” Nakian studied at the Independent School of Art in New York City previously known as the Robert Henri School … with Homer Boss...

Art Deco bronze silver plated and black patinated sculpture "Leda and the Swan" created in 1925 by the celebrated French painter and sculptor Marcel A. Bouraine. This piece was showe...