Evelyn Harper Mixed Media

Historic, institutional quality unique Rauschenberg signed work on paper, with storied provenance: a real gem: Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collec...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Artist : Kory Twaddle Title : Blue Springs Semi Upper Level Materials : Colored pencil, marker, tempera, gouache, stickers, tape, glitter glue, pastel, oil pastel, acrylic, graphite...

Foundational Studies 25(A) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(A) is a deliberate exploration of form and verse. Executed on ha...

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern Louis Stone (1902-1984) Abstract 21 x 16 inches Mixed media on board, c. 1940 ...

This striking mid-century modern drawing by Taos-based artist James Meek features a bold geometric abstract composition that reflects the clarity and precision of mid-20th-century mo...

Smooth abstract composition mounted on slate by an unknown artist. Unsigned. No frame.

Artist : Kory Twaddle Title : Biogram of the Kansas City Zoo Materials : Pastel, oil pastel, acrylic, watercolor, gouache, tempera, glitter glue, foam stickers, paper, marker, color...

This brightly colored mixed media artwork titled "Mask On, You’re Happy Now" is an original artwork by Kelly Kozma made of hand embroidery, latex paint, marker and handmade sequins o...

Margie Hughto Orchid & Red, 1983 Dyed Handmade paper Hand signed and dated by the artist on the lower right front. Titled on the back. Unique Frame Inclu...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...