Everett Watson Mellor Paintings

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

Alfred de Breanski Snr British, (1852-1928) The Head of Loch Lubnaig Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), and George Vincent (1796-1832). These artists painted in the Dutch style, though both are British. Each has had experience with Dutch masters that influence their work. George Vincent’s work is perhaps even closer to this than Hulk’s. Vincent paints the trees and skies with the warm hues of light infused on the work. Here, the sky has blue but also a khaki or tan shade, roughed into the blue and white. It is an unusual color in skies, yet Vincent shows us the light through clouds casting a darker shade. The trees are varied greens but also have yellowed leaves, as in autumn. Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...

19th century English landscape of Children picking flowers in a field or meadow. Henry Hadfield Cubley was born in Newark, Nottinghamshire in 1858. Henry was the nephew of William C...

‘Morecambe Bay’ by Alfred de Breanski ARCA (1852-1928). The painting - which depicts cattle grazing on Heysham salt marshes in Morecambe Bay with a view of the Old Man of Coniston an...

Maud Earl (1863-1943) A collie standing in a landscape, a country house beyond signed and dated 'Maud Earl/ 1899.' (lower right) Oil on canvas Canvas Size 30 x 40 in Framed Size 40 x...

‘A Welsh Hillside Path’ by Benjamin Williams Leader (1831-1923). The painting is signed and dated by the artist and was exhibited at the Royal Academy in 1874. We only offer origin...

‘A Scion of a Noble’ by Andrew MacCallum (1821-1902). The painting is signed by the artist and dated 1889, in which year it was exhibited at the Grosvenor Gallery in London. At fir...

Robert Watson British, (1855-1920) Highland Cattle by a Stream Oil on canvas, signed & dated 1920 Image size: 19.25 inches x 29.25 inches Size including frame: 27 inches x 37 inches...