Founded by one-time Parisian wallpaper dealer Ferdinand Barbedienne and engineer Achille Collas, one of the most revered foundries in 19th-century France began with the invention of a revolutionary 1830s-era device that could produce proportional reproductions — large or small — of sculptures. Collas’s machine, which yielded miniature likenesses of antiquities for the interiors of homes the world over, was pivotal to the success of the F. Barbedienne Foundry. The successful firm earned prestigious awards and critical acclaim and created exquisite bronze candleholders, clocks and lamps for a range of wealthy and prominent clients.
The duo first launched their company under the name Société Collas et Barbedienne, and early on, they optimized chemical processes for pigmenting and patinating their bronze statuettes. After Collas died in 1859, Barbedienne forged on alone, and the company’s name changed to simply F. Barbedienne.
Barbedienne employed more than 300 workers at that point, and the Maison created a range of furnishings and decorative objects that featured the integration of marble and ormolu accents. However, with the onset of the Franco-Prussian War of 1870, the foundry was forced to retrofit its molds, and the production of cannons replaced sculptures, furniture and vases.
When Ferdinand Barbedienne passed away in 1891, his nephew and heir, Gustave Leblanc, took over as president, changing the name to Leblanc-Barbedienne. Leblanc expanded production into Germany, the United Kingdom and the United States, carrying on the company's legacy with monumental sculptures, and models and securing production rights for famous statues. Paul-Alexandre Dumas, an Art Nouveau maker and student of Louis Majorelle, succeeded Leblanc until the company's closing in 1952.
Barbedienne pieces had been exhibited regularly in the 19th century and were especially prevalent at Europe’s international expositions and world’s fairs, where they received numerous awards. Today, the Musée d’Orsay in Paris holds dozens of Barbedienne works in its collection, including intricate mirrors, vases and cups created by Louis-Constant Sévin at the foundry. For more than two decades, Sévin created lamps, boxes and more at Maison Barbedienne. Working alongside award-winning chaser Désiré Attarge, Sévin designed Napoleon III-era works that greatly appealed to European nobility.
Other notable artists who collaborated with Barbedienne included Eugene Aizelin, Emmanuel Fremiet, Antonin Mercié, Emile Guillemin, Edouard Lievre, Ferdinand Levillain and Auguste Rodin.
On 1stDibs, find a collection of Barbedienne decorative objects, lighting and collectibles.
19th Century Grand Tour Influenced Gilded Ormolu Ink Well, Stamped, Barbedienne
By F. Barbedienne Foundry
Located in Brighton, Sussex
A good quality late 19th century French gilded Ormolu Gran Tour influenced gilded Ormolu ink well, having classing motifs and Roman Centurion bust embo...
Ormolu
A red Verona marble and bronze inkwell, signed Barbedienne, France 1870.
By F. Barbedienne Foundry
Located in Milan, IT
A red Verona marble inkwell with a central, extremely refined, lost-wax bronze sculpture in the Neoclassical Grand Tour style, depicting the head of Antinous depicted as Dionysus in ...
Marble, Bronze
19th-Century French Gilt-Bronze and Marble Figural Inkwell By F. Barbedienne
By F. Barbedienne Foundry
Located in Dublin, IE
A Fine 19th-Century French Gilt-Bronze and Marble Figural Inkwell By F. Barbedienne, Paris. A richly detailed Napoleon III period gilt-bronze inkwell, the central figure cast and fi...
Marble, Ormolu
19th Century Bronze Dore Napolean Ink Well, France.
Located in Atlanta, GA
An Encrier set with richly-veined Verde Antico marble base mounted with pair gilt-bronze inkwells flanked on either side of a Napolean bust. The marble base with pen tray rest on sh...
Marble, Bronze
A Vintage Italian Grand Tour Specimen Marble Ruler, 20th Century
Located in Spencertown, NY
The 7 1/4" ruler with 8 different specimens inset with in a black marble frame.
Marble
$5,000
H 2.76 in W 9.85 in D 5.12 in
Enamel cloissoné and gilt bronze inkwell. France, late 19th century.
Located in Buenos Aires, Buenos Aires
Enamel cloissoné and gilt bronze inkwell. France, late 19th century.
Bronze, Enamel
$6,091
H 10.5 in W 11 in D 15 in
Mid-19th Century Faux Tortoiseshell and Ormolu Tabletop Vitrine, circa 1860
Located in London, GB
A 19th century French faux tortoiseshell tabletop vitrine with gilt bronze mounts, superb quality. With original key and original bevelled glass. U...
Ormolu
$800
H 5.12 in W 3.94 in D 3.35 in
Cool Ink Well designed as a Godin iron stove from the late 19th Century
By Godin
Located in Knivsta, SE
Cool Ink Well designed as a Godin iron stove from the late 19th Century. Made in France in cast iron and painted with a beautiful patina. Probably an advertising item...
Iron
19th Century French Crystal and Bronze Inkwell
By L'Escalier de Cristal
Located in Los Angeles, CA
19th century French Crystal and Bronze Mounumental Inkwell. Signed. Escalier de Cristal Paris.
Crystal, Bronze
Antique Grand Tour Pietra Dura Specimen Paperweight 19th C
Located in London, GB
This is a superb decorative antique Italian Grand Tour marble Pietra Dura mounted desk paperweight, circa 1880 in date. This splendid rectangular paperweight is exquisitely inlai...
Agate, Amethyst, Malachite, Onyx, Marble
Beautiful Late 19th Century Gilt and Patina Bronze Inkwell
Located in Long Island City, NY
A Beautiful Late 19th Century Gilt and Patina Bronze Inkwell Depicting a bronze sleeping cherub lying on a gilt bronze settee, opening up to two ink holders. Details: Height – 4 in...
Bronze, Ormolu
Grand Tour Inlaid Marble Specimen Paperweight, Early 20th Century
Located in Spencertown, NY
The center made up of blue marble veneers, yellow marble and green marble with each section banded by Carrara marble.
Marble
Inkwell In Gilt Bronze And Crystal, 19th century
Located in Bilzen, BE
Inkwell in gilded bronze and crystal from the second half of the 19th century Original gilding in perfect condition 19th century, Napoleon III 8.2 x 10.6 cm, total height 8.2 cm
Crystal, Bronze
$1,250
H 2.5 in W 4.88 in D 3.63 in
19th Century Grand Tour Lion Attacking a Horse Miniature Bronze Sculpture
Located in Philadelphia, PA
A fine 19th century Grand Tour miniature model of the Lion Attacking a Horse sculpture. Modeled after the ancient Roman version found on Capitoline Hill. Sized as a paperweight...
Marble, Slate, Bronze
Antique Grand Tour Pietra Dura Specimen Top Paperweight, 19th C
Located in London, GB
This is a superb decorative antique Italian Grand Tour marble Pietra Dura mounted desk paperweight, circa 1880 in date. This splendid rectangular paperweight is exquisitely inlaid with a sumptuous arrangement of semi-precious stones including malachite, agate, onyx and amethyst. It is beautifully inlaid on a slate base. Not only is this desk paperweight very functional, but it is also an exquisite mineralogical wonder that can be admired by all discerning collectors. Condition: In excellent condition, please see photos for confirmation, Dimensions in cm: Height 2 x Width 17 x Depth 10 Dimensions in inches: Height 1 inch x width 7 inches x depth 4 inches. Pietra dura is a term for the inlay technique of using cut and fitted, highly polished coloured stones to create images. It is considered a decorative art. Pietre dure is an Italian plural meaning "hard rocks" or hardstones; the singular pietra dura is also encountered in Italian. In Italian, but not in English, the term embraces all gem engraving and hardstone carving, which is the artistic carving of three-dimensional objects in semi-precious stone, normally from a single piece, for example in Chinese jade. The traditional convention in English has been to use the singular pietra dura just to denote multi-colored inlay work. However, in recent years there has been a trend to use pietre dure as a term for the same thing, but not for all of the techniques it covers, in Italian. But the title of a 2008 exhibition at the Metropolitan Museum of Art, New York, Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in lapis lazuli as being examples of "hardstone carving (pietre dure)" The Victoria & Albert Museum in London uses both versions on its website, but uses pietra dura. "A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns...." Giovanni Montelatici...
Agate, Amethyst, Malachite, Onyx, Marble
Sold
H 9.85 in W 14.57 in D 8.27 in
Bronze Inkwell "Un Fleuve" Signed Barbedienne After Jean-Jacques Caffieri, 19th
By F. Barbedienne Foundry
Located in Peyraud, Auvergne-Rhône-Alpes
Gilt bronze and red Griotte marble inkwell featuring an allegory of a River. This old writing box from the end of the 19th century is composed of a penholder hollowed out of marble a...
Griotte Marble, Bronze
Sold
H 14.18 in W 13.78 in D 8.08 in
Red and White Veined Marble Mounted Ormolu Inkstand by Barbedienne
By F. Barbedienne Foundry
Located in London, GB
Centered by an ormolu model of a nude bearded male between two ink holders with blue glass inserts, inscribed on verso 'F. BARBEDIENNE. FOUNDER. PARIS,' on toupie feet.
Marble, Ormolu