Felice Zennaro

Pannello decorativo disegno Astratto ceramica 1960s Pannello decorativo astratto anni 60 Descrizione: Pannello decorativo in ceramica con motivo astrattista realizzato in Ita...

This pair of Italian academic charcoal drawings captures the grace and disciplined form of classical male nudes. One portrays an artist's model, his pose reflective and studied, whil...

Beautiful, evocative Pencil Drawing Still Life with Flowers and Butterfly Early 20th century Signed at lower right The painting is embellished by a beautiful nineteenth-century la...

Very serene framed pastel artwork featuring a floating or dancing female figure. A simple and relaxed scene yet very effective in composition. The use of soft muted hues of greens an...

Antique charcoal on paper, an unusually large depiction of a mythological couple with entwined tails, seated on stylized waves with marine flora and shells. The dramatic scale, anato...

A charcoal drawing of an art model male nude in custom modern frame. During the Art Nouveau period emphasizing natural forms and structures.

This turn-of-the-century French academic charcoal drawing captures a standing nude figure from behind, evoking a quiet introspection. The figure’s pose...

A beautiful charcoal drawing of a seated male nude in a modern custom frame. Signed upper right (illegible).

1900s Indian portrait on paper of man with turban. Part of a private collection.

Italian antique Picture pencil drawing on paper of a man, in wooden frame, 1900s Fantastic pencil drawing on paper, representing a walking man in a coat with a hat and walking stick ...

Charming original charcoal drawing of a nude woman by the renowned French artist Jean-Louis Forain. This drawing is imbued with the finesse of his line and his sensitivity to capture...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...