Ferdinand Victor Leon Roybet Art

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Tuscan Master (17th century) - Raising of the Cross. 52 x 45.5 cm without frame, 69 x 62.5 cm with frame. Antique oil painting on panel, in a carved, gild...

Italian painter (17th-18th century) - Franciscan pilgrim friar sitting writing (preparatory sketch). 14 x 16.5 cm without frame, 19 x 21.5 cm with frame. Antique oil painting on pa...

Le misure senza la cornice in legno intagliata e dorata sono 97 x 72 cm. Il compianto su Cristo morto è uno dei temi più diffusi dell'arte cristiano cattolica, dove il corpo stesso ...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Michael Magrin's ( US based) "On the Horizon" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to han...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after th...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Acrylic & oil on canvas Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for several ...

Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...