Franck Genser

A handsome Windsor high back armchair of elm from Georgian era England, featuring a bowed top rail and spindle back, with curved rail arms mounted to a shaped solid seat, and set upo...

This Italian armchair was made in the 1940s in the style of Paolo Buffa. Two white cushions rest on the beautifully crafted cherry wood frame and have been refinished for your choice...

A pair of Late Empire birch armchairs, upholstered in red fabric and from around the 1840s, make a beautiful and period feature in any interior with their...

A quirky, very unusual model of a French iron garden chair, can be used inside or outside, great charm!

Hand-carved in the Renaissance style in France, circa 1890, this imposing oak armchair features a verdant tapestry affixed with iron nailheads. The sc...

Scandinavian armchair from the 60's, unknown designer, Danish manufacture. Structure in solid teak, seat and back in tobacco patinated leather. Elegant and sober design representativ...

This lavish armchair from the Opus collection exudes sartorial appeal and glamorous style that will be the focal point of any room. Specially made for both children and pets alike, t...

One French armchair with heart-shaped back, upholstered in leather, circa 1940.

Chair 01 belongs to the Disguise Series 00, a family of pieces conceived by Madrid-based ESTO Studio that operates at the boundary between furniture and imaginary creatures. The coll...

Pair of handmade spanish wicker armchairs from the 1970ies.

The Faces chair from the Nobody's Perfect series is in resin with plastic pegs, designed by Gaetano Pesce and produced by Zerodisegno 2005. With the manufacturer's brand stamped on the back-side. Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma...

Authentic Italian armchair from the 1950s. new upholstery with fabric by Kvadrat (Harald 2-black) and Svensson (Rock-6562). Feel free to ask for more pictures.