Francois Gerome Art

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

Antique European impressionist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in period giltwood molding. Excellent cond...

Elegant antique original oil painting on canvas depicting a romantic pastoral scene inspired by 19th-century European traditions. The composition portrays a young couple resting in a...

Kirsten Savage is one of Colorado’s top representational artists. As an avid world traveler and experienced mountaineer, Kirsten spends her time seeking out beautiful spaces where th...

Outstanding work by Bucks County artist David Hahn. The winter scene is of Bucks County Bridge painted with heavy imposto.

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

Kirsten Savage is one of Colorado’s top representational artists. As an avid world traveler and experienced mountaineer, Kirsten spends her time seeking out beautiful spaces where th...

Provenance Acquired by the gallery directly from the artist Signed "R. Humphrey" on lower left Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." —Richard Humphrey...

Julien Celos 1884 – Antwerp – 1953 Belgian Painter 'Mother and Child in Zeeland' Signature: signed lower middle left 'Julien Célos' Medium: oil on canvas Dimensions: image size 64 x 52 cm; frame size 84 x 73 cm Biography: Julien Célos (Antwerp, 30 September 1884 – 8 September 1953) was a Belgian painter and etcher, born to a French father, celebrated for his poetic views of Flemish towns and his remarkable colour prints. He trained at the Royal Academy of Fine Arts in Antwerp under Franz Courtens and also benefited from the teaching of Albert Baertsoen, whose influence is evident in his taste for urban atmospheres, misty canals and subtle tonalities. Working at a time when luminism shaped much Belgian painting, Célos adopted certain aspects of its research into light and atmospheric effects while maintaining a distinctive, calm and lyrical sensibility. The greater part of his output was devoted to rural landscapes and the towns of Belgian Flanders—Bruges, Mechelen, Ghent and Antwerp—as well as Zeeland in the Netherlands and various regions of France. Bruges and Mechelen occupied a privileged place in his iconography: beguinages, narrow alleys, silent quays and ancient squares became the motifs of an intimate and timeless painting. He also travelled in Brittany and spent several months in Tunisia on a study trip. Alongside his painting, Julien Célos developed an important body of graphic work, notably colour etchings published by prestigious firms such as Georges Petit in Paris, Dietrich in Brussels and Caspers in Berlin. In both technique and subject matter, his work is comparable to that of artists such as Emmanuel Viérin. Highly active in Belgian artistic circles, he was a member of the Antwerp artists’ association Als Ik Kan, founded in 1883 and active until 1952, as well as of the committee of La Gravure Originale Belge. Even before the First World War, Julien Célos enjoyed notable critical recognition. In 1907 he took part in the Exposition Générale des Beaux-Arts in Brussels, presenting oils, etchings, pastels and drawings, including En ville morte, Automne and L’Église à Veere. The following year he received an honourable mention at the Salon des Artistes Français. In 1914 he again exhibited in Brussels and at the Cercle Artistique et Littéraire, where the press praised the poetry of his urban views and the excellence of his colour etchings. Like many Belgian artists, he lived in exile in England and the Netherlands during the First World War. This period was marked by intense exhibition activity: in 1915 he participated in a major exhibition in Brighton devoted to the new Belgian painting, alongside James Ensor, Félicien Rops, Emile Claus, Albert Baertsoen and Théo van Rysselberghe, where he was described as “one of the finest artists in interpreting the picturesque character of small Flemish towns.” That same year his works were shown at the Royal Institute in London and in a solo exhibition of forty-five pieces at the Goupil Gallery. In 1917 he exhibited in Amsterdam with Alfred Van Neste...

TOM QUINN Born of IRISH PARENTS in 1918, Tom W. Quinn was indeed fortunate as he was one of the last generations of students at the Camberwell School of Art to study under such great tutors as Lawrence Gowing, Victor Passmore...

This beautiful American Impressionist oil painting depicts a stately willow tree along the bank of a stream. Artist Arthur Hoeber (1854-1915) used a colo...