François Linke Mantel Clocks

Gilt bronze mounted continental Porcelain clock. Porcelain and gilt bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

A magnificent 19th-century French clock garniture set in gilt bronze, richly ornamented in the Louis XVI Revival style All working 7 day duration Great patina to the gilt Circa 1880 ...

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

A Palatial and Unique Late 19th / Early 20th Century Gilt Bronze Cartel Clock By François Linke François Linke The heavy and great quality bronze clock is topped by an urn with ram...

French ormolu and white marble pillar clock with ormolu mounts surmounted by an ornate finial with and standing on four gilded bun feet. The four pillars have fine ormolu mounts and are decorated with ornate chain swags. Enamel dial with Arabic numerals and finely cut original gilded hands. Eight day French striking movement with outside countwheel and starburst pendulum, circa 1870 An exceptionally fine French pillar clock...

An impressive late 19th century French gilded ormolu and patinated bronze mantel clock. Having three putti mounted to the top each playing musical instruments. The clock having an ei...

A wonderful French 19th century gilded ormolu mantel clock, having a putti mounted to the top holding garlands of flowers, draping down the case, Rams heads and urns of flowers. The ...

A Fine French 19th Century 'Belle Époque' Gilt-Bronze and Rouge Griotte Marble Table Clock by François Linke (1855-1946) Index Number 86. The clockcase modelled as a tambourine amidst blossoming roses, a mask and fan, on an oval bead-edged marble plinth with recessed panels mounted with fruiting vines, on turned feet, the reverse of the white enamel clock dial with Roman hours and Arabic minutes signed 'F. Linke, Paris', timepiece movement. Circa: Paris, 1895. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau at the 1900 Paris Exposition Universelle. He was the most celebrated Ébéniste of his time. Born in Bohemia in 1855, he moved to Paris in 1881. He produced furniture of the highest quality at his workshops at 170, rue du Faubourg-Saint-Antoine, and established showrooms at 26, Place Vendme. A much simpler version of this commode, with fewer ormolu mounts and with no marquetry, is illustrated in Christopher Payne's "François Linke 1855-1946 The Belle Epoque of French Furniture" Antique Collectors' Club, 2003 Edition, Index 720, Page 498. Literature Payne, C., François Linke 1855-1946: The Belle Epoque of French Furniture, 2003, models illustrated pp. 160, 182, 247 and the black and white cliché on p. 487. Another example of this model was sold at Sotheby's New York, Sale 19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art on April 22, 2010, Lot 448 'Lot 448: FRANÇOIS LINKE 1855 - 1946 A GILT-BRONZE AND ROUGE GRIOTTE MARBLE TABLE CLOCK PARIS, CIRCA 1895, INDEX NUMBER 86' Sold for $10,000 USD Another example of this model was sold at Christie's New York, Sale '500 Years: Decorative Arts Europe' (PROPERTY FROM THE COLLECTION OF RAYMOND AND MIRIAM KLEIN) on October 20, 2011, Lot 146A 'A FRENCH ORMOLU AND ROUGE MARBLE TABLE...

A very fine Louis XVI style figural mantel clock with matching flanking candelabra. The clock is bronze casted and has an ormolu f...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...