Freda Alschuler Paintings

Gloria Dudfield Sitting with Green 1960's Gouach on paper 11"x17.5" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work in the San Fr...

This original 1940s American Modernist gouache on archival paper painting, "Artists Sketching (California)," captures a dynamic scene of three artists at work against a majestic mountain backdrop. With expressive brushwork and a rich color palette, the piece embodies Frederick E. Shane’s signature blend of realism and modernist abstraction. Signed, titled, and dated by the artist in the lower margin, this remarkable artwork reflects the era’s Regionalist influence and the artist’s keen eye for capturing creative moments in the natural landscape. The painting is professionally housed in a custom archival frame, ensuring long-term preservation. Frame dimensions: 25.5 x 37.5 x 1.5 inches. Image size: 20.25 x 29.75 inches. Provenance: Estate of the Artist, Frederick Shane About the Artist: Frederick E. Shane (1906-1992) A celebrated Missouri Regionalist painter and printmaker, Frederick E. Shane was known for his compelling genre scenes, landscapes, seascapes, and portraits in a variety of media, including oil, watercolor, gouache, tempera, and lithography. While fundamentally a realist, Shane often incorporated elements of abstraction, expressionism, and surrealism, adding depth and emotion to his compositions. During the summers of 1925-26, Shane studied under Randall Davey at the Broadmoor Academy in Colorado Springs, an institution founded in 1919 by philanthropists Spencer and Julie Penrose. Shane remained closely connected to the Colorado Springs Fine Arts Center, the Academy’s successor, throughout the 1940s and early 1950s, participating in Artists West of the Mississippi exhibitions and forming lasting friendships with key figures like Boardman Robinson and Adolph Dehn...

"Rooster" Pierre Bosco, (1909-1993) Gouache on paper 10 x 9 (18 x 14 frame) inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to painting...

This has young ISraeli pioneers dancing with the flag as typical of works of the late British mandate Palestine era early state of Israel. Genre: Modern Subject: Figurative (stained glass style) Medium: Mixed media gouache on paper Hand signed lower left Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin...

PASCAL Paul (1832-1903) Orientalist View With Characters Gouache on card signed low right and dated 1894 New golden frame Dim gouache : 42 X 58 cm Dim Frame : 61 X 78 cm PASCAL Paul...

Max Manning is a Houston-based painter whose practice he describes as “algorithmic abstraction”, studio-built systems that he deliberately disrupts to create compositions where loose...

This captivating 1930s modernist gouache painting by Boardman Robinson (1876–1952), titled The Vendor of Masks, depicts a striking mask vendor’s display with male and female figures,...

"Petite fille avec sa poupée" Parisian Girl with Her Doll Figurative 1962 Exquisitely precocious portrait of a little "Petite fille avec sa poupée" girl with her doll in Paris by Ro...

This painting is gouache on board by tapestry designer Dirk Holger. Born in 1939, Holger worked in Jean Lurcat’s atelier in Munich, Germany. Lurcat (1896-1966) was a famous French pa...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is goo...

Medium: Ink and Gouache Signature: Signed Lower Right Story illustration for “Kit Carson, The Famous American Frontiersman” by William S. Bridgman for Munsey’s, published December 1...

Vincenzo D’Esposito. Italian ( b.1886 - d.1946 ). HMS Nairana, Royal Navy Seaplane Carrier. Gouache On Paper. Signed Lower Right. Image size 7.7 inches x 12.2 inches ( 19.5cm x 31cm ). Frame size 13.8 inches x 17.7 inches ( 35cm x 45cm ). Available for sale; this original painting is by the Italian artist Vincenzo D’Esposito and dates from circa 1918. The painting is presented and supplied in a sympathetic and contrasting contemporary frame to suit the subject coloration (which is shown in these photographs) and behind non-reflective Tru Vue UltraVue® UV70 glass. This antique piece is in superb condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Vincenzo D’ Esposito was an Italian artist, active in the beginning of the twentieth century. He was a son of Gaetano de Esposito, an artist who lived in Malta. Vicenzo continued the work of his father and another brother, who all painted the various ships that sailed the Mediterranean in their time. Vincenzo D’Esposito is particularly known for his gouache pictures of British warships in Valetta harbour. It is likely that he received orders from merchant captains and naval officers who stopped in Valetta. Such works are now well sought after by British collectors. The HMS Nairana, featured in this artwork, was a vessel with a particularly interesting history. She was originally owned by the Australian shipping line Huddart Parker, who, in 1914, ordered her to be built in Dumbarton, Scotland by William Denny and Brothers. She was designed to be a passenger ship with some cargo capacity to serve in the Australian coastal trade. The name ‘Nairana’ is an Aboriginal name, meaning ‘Golden Eagle’ or ‘Eagle of the Sea’. She was launched in 1915 at the Denny shipyard in Dumbarton, Scotland. The launch had been delayed because of the diversion of shipping construction work to military vessels on the outbreak of the First World War. For the first year and a half of her life she remained at anchor. Then in 1917 she was purchased by the Royal Navy and converted into a combined landplane and seaplane carrier. After being commissioned HMS Nairana was assigned to the Battle Cruiser Force of the Grand Fleet at Scapa Flow, although she was mostly employed for pilot training and ferrying aircraft to ships equipped with flying-off decks. In 1918 HMS Nairana participated in the North Russia Campaign in support of the British intervention in the Russian Civil War, including taking part in what was probably the first fully combined air, sea and land military operation in history when she joined Allied ground forces and other ships in driving the Bolsheviks out of their fortifications on Modyugski Island at the mouth of the Northern Dvina River. In May 1919 HMS Nairana was refitted in Rosyth, then continued to support military operations in Russia until October that year, when she went to Devonport to be decommissioned. Nairana was returned to her former owners in Australia in 1921 and refitted in her original planned configuration, and then spent the next 27 years ferrying passengers and cargo between Tasmania and Melbourne. She was twice struck by rogue waves in the Bass Strait...