Frédéric - Eugène Piat Furniture

Bronze statue in brown patina representing Susanna, sculpted by Eugene-Antoine Aizelin (1821-1902). Susanna at the bath is a story from the apocryphal ...

A 19th c. French bronze figure of a dancing faun by Eugène-Louis Lequesne. Hand-signed at the base Lequesne (1815-1887). Likely cast by the Gautieur foundry. Found in Paris. Dime...

A Gilt bronze elephant figure signed E. Bernoud 19th-20th century This Cute elephant bronze is in very good conditions! For animals figurine lovers! this piece is a perfect match ...

This fine antique bronze study is by the highly acclaimed sculptor and artist Eugène Barillot (1841–1900). It depicts an ancient Greek archer testing his bow. The bearded man is nak...

A charming and high quality true pair of French 19th century patinated Bronze and Ormolu statues, signed H. Ferrat. Each stunning bronze is raised by a square Ormolu plinth below a c...

A charming pair of patinated bronze infants cast in the 19th century. One of the babies is happy, while the other one is crying, perhaps corresponding to an 18th century poem by Vota...

A pair of French 19th century bronzes of Napoleon the third (1808–1873) the last of emperor of France (1852–1870) and his consort the empress Eugenie. The bronzes were most probably ...

A Bronze Eurydice tabletop statue by Eugène Marioton, from the 19th Century. Eurydice, one of the Nereids, is depicted in a bronze statue from the 19th century. Her long hair flows...

19th Century French bronze statue of cupid captures the mischievous cherub just after letting his arrow fly. The classic pose inspired by ancient Greek and Roman statuary...

An early 19th Century well-cast bronze statue of Napoleon in full uniform, standing on square socle with applied ormolu laurel leaf wreath, ending o...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A fine quality pair of 19th century classical bronze seated putti, reading and writing, mounted on square rouge marble plinths and engraved gilded ormolu bases.