G. None Furniture
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19th Century French Clock Set
By G. None
Located in Bronx, NY
This vintage 19th century marble & dore' bronze clock set is beautifully designed in a Louis XVI motif. The clock features a decorative hand painted round enamel face with Arabic num...
Category
Late 19th Century French Louis XVI Antique G. None Furniture
Materials
Marble, Bronze, Enamel
$5,500 / set
Recumbent Lion Bronze
By G. None
Located in Bronx, NY
This vintage 19th century French bronze sculpture is artist signed and bears a family seal. The stunning sculpture portrays a majestic recumbent lion is beautifully rendered by the n...
Category
Late 19th Century French Neoclassical Antique G. None Furniture
Materials
Bronze
$1,000
Late 19th Century Pair of Large Paris Porcelain Statues
By G. None
Located in Bronx, NY
This vintage pair of late 19th century French porcelain statues are signed "France" in very dark blue over the glaze & over, what appears to be, a much lighter blue scepter under the glaze. The stunning pair, a man & a woman, of Paris porcelain statues...
Category
Late 19th Century French Antique G. None Furniture
Materials
Porcelain
Primavera, by Tito Salomoni
By G. None
Located in Bronx, NY
This remarkable work of surrealistic art is depicted showcasing the city of Florence, Italy through the eyes of the famed artist,n Titi Salomoni. His vision is beautifully conceived ...
Category
1950s Italian Other Vintage G. None Furniture
Materials
Paint
Rare Carlyle Co., “Emile Monier” Brooch Pin
By G. None
Located in Bronx, NY
This rare brooch pin is designed by Emile Monier for the Carlyle Co. . The oversize gold tone sculpted “statement” brooch is of an exotic, stunning Siames...
Category
Mid-20th Century American G. None Furniture
Materials
Metal
Vintage Sterling Silver "Valentine" 'Heart' Jewel Box
By G. None
Located in Bronx, NY
This vintage rare sterling silver heart shape Valentine jewel box dates from the early 20th century. The sterling jewel box is beautifully chased with an overall motif of detailed sc...
Category
1920s American Art Nouveau Vintage G. None Furniture
Materials
Sterling Silver
Sterling Silver Tea Pots '2' & Sugar Stamped B & R, Boston
By G. None
Located in Bronx, NY
These vintage decorative 19th century sterling silver antique tea pots & sugar bowl were manufactured in the United States by a Boston silversmith comp...
Category
Mid-19th Century American Antique G. None Furniture
Materials
Sterling Silver
The Veil of Time by Tito Salomoni
By G. None
Located in Bronx, NY
This exceptional surrealistic oil painting on canvas depicts Florence through the mind of artist, Tito Salomoni. It is beautifully detailed with vivid colors presenting an unfolding ...
Category
Mid-20th Century Italian Other G. None Furniture
Materials
Paint
Jade 18K Gold Ring
By G. None
Located in Bronx, NY
This impressive 18K gold & jade ring was designed & custom made by Merrin jewelers of New York in the 1960’s. It features a spectacular sculpted setting with a huge solid domed dark ...
Category
1960s American Vintage G. None Furniture
Materials
Jade, Gold
$2,700
Related Items
Sterling Silver Charity (Tzedakah)Box
Located in Brooklyn, NY
Being offered is a sterling silver charity (Tzedakah) box. Sleek and contemporary it is elegant and timeless. It stands on three round balls and has a slightly curved shape. Char...
Category
21st Century and Contemporary American G. None Furniture
Materials
Sterling Silver
Rare 19th Century English Tunbridgeware Hair Pin or Slide
Located in Dallas, TX
PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide.
This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor.
From circa 1860 – 80 and made in Tunbridge Wells, England.
Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut.
The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood.
Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward.
This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century.
Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion.
There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells.
The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900.
Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people.
Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death.
In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge.
Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes.
At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture.
The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927.
Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies.
‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens.
Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface.
Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs.
Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.
Category
Late 19th Century English High Victorian Antique G. None Furniture
Materials
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Antique Silver BOX Decorative Box, Sterling Silver Jewllery Box Home Decor
Located in Wembley, GB
Antique valuable handmade sterling silver box or Decorative jewllery box with Illustration pressed, cast and chased. Rectangular body on short, curved feet with hinged, vaulted lid. ...
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Late 19th Century Spanish Art Deco Antique G. None Furniture
Materials
Gold Plate, Silver, Sterling Silver
$1,849
H 3.55 in W 2.76 in D 3.15 in
French 19th Century Mantle Clock
Located in Brighton, Sussex
A very good quality French late 19th century gilded ormolu and champleve enamel mantel (fireplace) clock. Having urns and a cherub above the eight day clock that chimes...
Category
19th Century French Louis XVI Antique G. None Furniture
Materials
Enamel, Ormolu
Lovely 19th Century Victorian Gold Gilt Bronze Recumbent Lion Laying Down
Located in West Sussex, Pulborough
We are delighted to offer this stunning late 19th century Italian grand tour Recumbent Lion
A very good looking and decorative piece that looks expensive and important in any set...
Category
19th Century Italian Victorian Antique G. None Furniture
Materials
Bronze
$770 Sale Price
25% Off
H 4.14 in W 8.86 in D 3.15 in
Sterling Silver Men’s Jewelry Box
Located in Brooklyn, NY
Being offered is a sterling silver mens jewelry box from the 1960’s. It is sleek and masculine and the perfect size for cufflinks, watches and other ...
Category
1960s American Vintage G. None Furniture
Materials
Sterling Silver
Sterling Silver Ring Box
By Deakin & Francis
Located in Brooklyn, NY
We are happy to offer you this sterling silver ring box made in Birmingham, England by the silversmith Deakin & Francis, 1916 (see hallmarks). The inte...
Category
1910s English Vintage G. None Furniture
Materials
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Pair of Carved Marble Recumbent Lions
By Antonio Canova
Located in Norwood, NJ
Fine quality antique carved marble recumbent lions after models by Antonio Canova. Architectural elements most likely part of a larger el...
Category
Late 19th Century Italian Antique G. None Furniture
Materials
Carrara Marble
19th Century French Boulle Longcase Clock
By André-Charles Boulle
Located in Brighton, Sussex
A very good quality late 19th Century French boulle inlaid longcase clock, having wonderful scrolling gilded ormolu mounts, an ebonised case wit...
Category
Late 19th Century French Louis XVI Antique G. None Furniture
Materials
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Abstract Oil Painting by R. Monti
Located in Brooklyn, NY
A colorful abstract oil painting by celebrated Pennsylvania-based artist R. Monti, framed and signed by artist. Please confirm item location with seller (NY/NJ).
Category
Late 20th Century American Other G. None Furniture
Materials
Canvas, Wood, Paint
19th Century French Louis XVI Style Mantle Clock Garniture Set
By Samuel Marti, Raingo Frères
Located in Forney, TX
A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres.
The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet.
Markings:
Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres.
Dial signed by French enameller "F. Lapointe, Paris"
Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century.
Dimensions: (approx)
As pictured:
18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total.
Clock:
18.5" High, 13" Wide, 5.5" Deep;
Candelabra garnitures: (each)
12" High, 8" Wide, 4.25" Deep;
Condition:
Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use.
To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...
Category
19th Century French Louis XVI Antique G. None Furniture
Materials
Alabaster, Bronze, Enamel, Ormolu
$3,500 / set
H 18.5 in W 36 in D 5.5 in
Bronze Lion with Marble Base
Located in Annville, PA
Graceful even when standing still the Bronze Lion with Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bull Lion statue is created i...
Category
2010s G. None Furniture
Materials
Bronze
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Pushing Men, A Pair of Bookends
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This vintage pair of patinated bronze Art Deco bookends date from the early 20th century. The sculptor Isidor Konti masterfully created this pair of partially nude muscular young men...
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Danish / Mid Modern MCM Bernhard Pedersen & Son Secretary Desk
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Carved Alabaster & Bronze Art Nouveau Figural Sculpture
By G. None
Located in Bronx, NY
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Category
Early 20th Century Art Nouveau G. None Furniture
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Japanese Bronze Mother & Child
By G. None
Located in Bronx, NY
This vintage 19th century signed Japanese bronze sculpture dates from the Meiji period. This incredibly detailed work of art highlights a tender moment between a mother & her child s...
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Erte Like Fashionable Woman Austrian Bronze
By G. None
Located in Bronx, NY
This beautifully rendered Austrian cold painted bronze is signed (illedgible) & dated. An elegant Art Deco inspired statuesque young woman, fashionably attired in a stunning original...
Category
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Late 19th Century American Nine Tube Extraordinary Oak Case Grandfather Clock
By G. None
Located in Bronx, NY
Grandfather clock
Hall clock (Grandfather clock), American, Gothic Revival styling, oak, late last quarter 19th century to early first quarter twentieth century, Grand Rapids Clock Company, Grand Rapids, Michigan, with an outstanding carved case, nine tube, quarter hour striking movement, tubular chimes consisting of nine tubes, four striking Westminster, eight striking Wittington, separate hour striking tube, with an extraordinary bonnet, five carved Gothic finials...
Category
1890s American Gothic Revival Antique G. None Furniture
Materials
Oak
H 106 in W 22 in D 18 in
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G. None furniture for sale on 1stDibs.
G. None furniture are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of G. None furniture, although gold editions of this piece are particularly popular. Many of the original furniture by G. None were created in the Art Nouveau style in europe during the 20th century. If you’re looking for additional options, many customers also consider furniture by Weidlich Bros. Mfg. Co., Spaulding & Company, and Unger Brothers. Prices for G. None furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $750 and can go as high as $5,500, while a piece like these, on average, fetch $3,700.