Ganci Argenterie Barware

This boxed set of six sipping straw cocktail or ice tea spoons are unsigned, but presumed to have originated from Germany and date to approximately 1960 and done in the period Mid-Ce...

Jacob Eiler Bang for Holmegaard, Karaffel, Snapsekone, Female Decanter  Denmark, circa 1930 This exceptional Art Deco glass decanter, designed by Jacob Eiler Bang for Holmegaard aro...

The City Mixing Glass holds 22 oz. Use it to mix various drinks with the accompanying spoon in stainless steel. The mixing glass has a spout making it easy to pour and serve drinks. Designed by Martti...

1930s, Sweden. Silver-plated Art Deco cocktail shaker set with six martini glasses designed by Folke Arström in Sweden in 1936 and produced for GAB. Stamped by GAB on underside. In g...

Wine cooler for narrow wine bottles (alpaca) vienna around 1920s Only polished

Four Argenta Playing Card Coasters by Wilhelm Kage for Gustavsberg, Sweden, 1940s "in good vintage as found condition" "Wilhelm Kåge (1889-1960) is one of the most well-known rep...

A handsome and highly sought-after Champagne bucket designed by Luc Lanel for Chrsitofle, Paris. This "Vulcan" design was created by Luc Lanel for the transatlantic liner "Ile-de-...

A set of 12 drink chillers. Original box with the slogan, 'It Chills Without Diluting'.

A fine set of 6 cocktail mugs or glasses. By Tiffany & Co. In sterling silver with gold washed interiors. With tapered side walls and a slightly concave base. Fully hallmark...

A fine vintage olive spear. In sterling silver. Hand made with a turned spear base, curved body, and a spiral final. Marked STERLING to the side. Simply a terrific, benchmade bar...

Boost your entertaining experience with this exceptional Baccarat champagne ice bucket or wine cooler—a true testament to refined craftsmanship and timeless elegance. Designed by the...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.