Orrefors City Mixing Glass With Spoon

City Drink Spoon from Orrefors is made of stainless steel and makes an elegant detail for your cocktail. Designed by Martti Rytkönen.

City Shot from Orrefors holds 1.7 oz and is ideal for serving spirits and shots. The cuts that criss-cross the surface of the glass create an asymmetric look, which contributes to th...

City Highball from Orrefors holds 12 oz and is ideal for serving long drinks, with or without alcohol. The cuts that criss-cross the surface of the glass create an asymmetric look, w...

City Ice Bucket from Orrefors is ideal for holding ice for drinks or for chilling a bottle of wine. The cuts that criss-cross the surface of the crystal create an asymmetric look, wh...

Sarek from Orrefors has cut facets inspired by the motif on wooden baskets made of plaited birch bark, which has a symbolic connection to Swedish nature. The wine stopper has a cone-...

City Old Fashioned from Orrefors holds 8 oz and is ideal for serving spirits and cocktails. The cuts that criss-cross the surface of the glass create an asymmetric look, which contri...

A stylish piece of vintage barware, dating back to the late Art Deco era, c.1940. English in origin and made from silver plate, the jug retains the original long stirring spoon stam...

A spiky and partially frosted ice bucket from Swedish Orrefors. Presumably a variation of Jan Johansen's Fleur. The stylish stainless tong with rattan handle is Danish and also from ...

Collectible St. Germain Logo Cocktail Glass Carafe Mixing Pitcher. St Germain Glass Drink Cocktail Mixing Pitcher Carafe Decanter. French St Ge...

Art Deco etched glass cocktail mixing pitcher with vertical bands of narrow lines below a band of diagonal lines between a pair of lines, the t...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

A set of 5 Sterling tea spoons with a heart shaped scoop. The set are a compliment to any bar or place setting - sophisticated and elegant and l...