Geo Ham More Art

The artwork is mainly oil pastel with several touches of gouache and is a still life of a bowl of fruit. The artwork is done on heavy archival paper. The artist is Jonas Lie...

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Prakash Karmakar – Untitled 28 x 20 inches (unframed size) Acrylic on Paper, 2004 ( Unframed & Delivered ) In this bold acrylic on paper, Prokash Karmakar juxtaposes a dyna...

North African Maghribi Manuscript Leaf Gold Illumination, c.15th Century North African, c. 15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm Prod...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

P Solomon Raj Adoration Watercolour on Paper 2006 Sheet Size: 19cm x 24.6cm Image size: 14.6cm x 19.6cm

Mark di Suvero Dreambook (hand signed by Mark di Suvero), 2008 Hardback monograph with no dust jacket as issued (hand signed by Mark di Suvero) Boldly signed by Mark di Suvero on the...

Blue Striped Abstract Expressionist Composition in Acrylic on Paper Bright, saturated abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). This p...

North African Maghribi Manuscript Leaf Gold Illumination, c. 14-15th Century North African, c. 14-15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This Qur’anic manuscript leaf originates from North Africa and is written in the characteristic Maghribi script, recognisable through its rounded contours and extended horizontal profiles. Workshops across the western Islamic world developed this calligraphic style, creating manuscripts where geometry and devotional clarity worked in harmony. The present leaf originates from that tradition, reflecting a script that was developed and refined over many generations of scribes. The parchment carries black ink text with red diacritics, punctuated by gold and polychrome rosettes that divide the verses. Along the right margin, larger teardrop motifs enriched with blue, white, and gold create a sense of both structure and ornamentation. These features are typical for Qur’anic manuscripts produced in North Africa in the late medieval period, when symmetrical and elaborately illuminated pages became the hallmark of regional craftsmanship. Set within a giltwood frame and layered mount, the leaf’s colours gain a striking clarity, making the piece even more impressive. Its craftsmanship and historical resonance give it a natural place within any serious collection of Islamic manuscript...

Modern Hiroshi Yasukawa Signed Abstract Painting Important abstract minimalist work representing a circle crossed by a conceptual monochrome stripe typical of the great Japanese ar...