George G. Adomeit Art

Beautiful Paris Market scene by American Impressionist master Frederick Usher de Voll. Painted in 1907 and passed down through his family since...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...

Capturing the essence of Waikiki Bay, a visual symbol of Hawaii situated in Honolulu on the southern coast of Oahu, this pair of landscape-format oil paintings features the iconic trio of palm trees...

With a studied hand, Sloan captures the human theater of a snow-covered Central Park filled with bundled-up New Yorkers, sledding, walking, chatting, and caring for children. The exp...

This evocative oil painting by Richard Sigafoos presents a solitary coastal rock formation rising against a softly illuminated seascape. Rendered with confident, expressive brushwork...

This WPA-era signed oil painting by Paul K. Smith captures a stormy summer landscape in Colorado, featuring houses and lush trees under dramatic storm clouds. Painted in rich shades ...

“Ghost Town” by Harold Skene (1883–1978) is a compelling vintage oil painting that evokes the quiet drama of Colorado’s mining past. This atmospheric Western landscape depicts a lone prospector and his pack mule standing among the weathered remnants of an abandoned mountain town. Set in late summer or early autumn, the scene is painted in a rich, earthy palette of golden yellows, sage greens, dusty pinks, and soft blues, capturing the stillness and solitude of the high desert West. Painted in oil on board, the work is signed by the artist at the lower right and titled and dated on the verso, underscoring its authenticity and historical value. Skene’s careful attention to structure and perspective reflects his architectural training, while his expressive handling of landscape conveys the emotional weight of a once-thriving community now reclaimed by nature. The painting measures 24 x 30 inches (image size) and is presented in a classic mahogany frame with overall dimensions of 30 x 35.5 x 2.75 inches, offering strong visual presence and immediate display appeal. A graduate of Harvard’s School of Architecture, Harold Skene studied at the Denver Art Academy and the Broadmoor Art Academy, and served as an assistant to noted Western artist Allen Tupper True...

Attrib. Ralph Davidson Miller 1858-1945 "Desert landscape" c. 1910s. Oil on canvas 34"x24" unframed Unsigned Presenting an extraordinary artwork attributed to the renowned artist R...

Albert Heckman Cubist Landscape Oil on canvas 16 x 20 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art w...

Max Millman (American, ?-1998) Along Route 201, 1976 Oil on canvas 20 x 24 in. Framed: 27 3/4 x 32 x 2 in. Signed lower left: Miller Titled, dated verso: Along Route 201 [Possibly 20...

Coney Island, Fourth of July, c. 1940s, oil on canvas applied to Masonite, signed upper right, 26 x 21 1/2 inches, presented in its original frame During the 1930s and 40s, Coney I...