George Sellers Sculptures

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...

A rare and incredible life like and sized Italian Venetian lampwork glass model of a bee made by renowned and acclaimed glass maker Vittorio Costanti...

Art Deco Designed lamps, cast bronze, With smooth solid glass rods, Has the deluxe double socket assemblies. They were the showroom samples and were never sold . Looks great with ...

Ceramic and glass table lamp sculpture. France, circa 1900.

This "Babouin," or "Baboon," patinated bronze sculpture by Georges Lucien Guyot, executed by Susse Fondeur in Paris is a wonderful piece that brings the architectural wonder that eve...

Art Deco sculptural Luminaire by Pierre Le Faguays titled "Les Porteuses d'Eau" ( The water carriers) depicting to females figures carrying an Alaba...

In Particle table lamp, on.entropy mines the modern design potential of this classical material, by transforming the austerity of raw marble into a warm and...

An impressive 38 cm tall this original 1930's Art Deco cold painted spelter table lamp features a nude female holding aloft a milk white glass globe shade. Kneeling on an alabaster b...

Table lamp Prisima in antique bronze finish, on black granite base. With black lampshade: 40 x 40cm. Base 18 x 18cm. One bulb lamp holder type E27, max 40 watt. Bulb not included.

This beautiful stag beetle figure or statue was made in the 1890s in Germany. It is has the original old paper label. This is a beautiful decorative piece, it can be displayed as a s...

Viennese cold painted bronze orientalist lamp attributed to Bergman of an Middle Eastern man riding a camel at the Oasis trading post.

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...