George Stavrinos Mixed Media

This early 20th-century mixed media by K & K Hof Atelier Pietzner of Vienna depicts a respectable family within a neoclassical garden setting. With the advent of photography, afflue...

Erich Hermès (1881-1971) La basilique Santa Maria della Salute vue depuis les quais de la Giudecca, Venise Gouache et traits de crayons sur papier Signé en bas vers la droite 29 x 41...

Italian Cities: Pompeii (Mixed Media drawing with graphite pencil, color pencil, gouache, pen on paper on panel Image size: 10.5 x 10.5 inches Ebonized walnut floater frame, 12 x 12 ...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

"Marsh Rising" is a work on paper that features hues of green, blue, gold, pink, yellow and orange. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharin...

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

Science * Laws of Nature (One of the Arts) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction ...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Stella's Stale (Mixed Media drawing with graphite pencil, color pencil, gouache, pen on paper on panel) Image size: 31 x 31 inches Dark Brown Wooden Frame: 32.5 x 32.5 x 2 inches Exc...

Time (Measure & Passage Of) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art ...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

"Interstellar I" is a work on paper that features hues of green, violet, blue, gold and yellow. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Gros...