Georges Jouve Bowls and Baskets

French ceramic white Vide Poche circa 1960s - in the style of Georges Jouve, Ruelland Black ceramic chandelier by Francis Crociani, crafted i...

Decorative Painted Small Perforated Vide-Poche with Brass Rim attributed to Mathieu Matégot, circa 1950s "interesting "irregular quadrilateral" shape" "in nice vintage condition"

Decorative ceramic vide-poche by Pol Chambost (circa 1950s). Small yet elegant seashell-shaped form with white base and dark, grape-purple outline and lip. Outside of the centre, the...

Sculptural ashtray/catchall in the style of Matégot and Georges Jouve. Iron frame with circular base and circular top. Green and black ceramic dish sits inside the metal opening. Gre...

Georges Jouve's Ceramic cup or vide-poches " La pomme " signed Jouve & apollon mark on back in deep enamel. White cracked enamel with a turquoise/green/pink apple Measures: 17 cm ...

Delicately carved solid Ebony vide poche on a pedestal base decorated with points around the edge.

Georges Jouve (1910–1964) for Longchamp, France. Organic-shaped ceramic bowl with deep burgundy glaze. Mounted with leather-covered underside, stamped with the Longchamp mark. H. 4....

Longwy, France. Art Deco bowl in glazed stoneware on a tripod. Crackle design. 1940s. Measures: 31 x 8.5 cm. In excellent condition. Unstamped.

Danish Mid-Century Modern Teak Bowl by Kay Bojesen, 1950s. Exquisite large and early handmade bowl in solid teak designed and manufactured by Kay Bojesen in his own workshop in Cope...

Beautiful perforated white metal tray with metal band around edge and wavy loop metal handles in the style of Mathieu Mategot from France. Perfect vide poche for keys or jewelry.

A French ashtray from the 1950s, crafted from green marble, characteristic of mid-20th-century decorative and utilitarian objects. Carved from natural stone, it features a simple, or...

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...