Gerardo Dottori Art

Artist: Joan Miro Title: Plate IV Portfolio: Lithographe II Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 19 5/8” x 16 3/4” Sheet Size: 12 1/2” x 9 1/4” Image Size: 1...

Artist: Alexander Calder Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Medium: Lithograph Year: 1973 Edition: Unnumbered Sheet Size: 22" x 15" Image Size: 22" x 1...

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for Documenti d'Arte d'Oggi. Sheet size: 12 1/2 x 8 1/2 inches (317 x 215 mm). There is printed t...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Artist: Joan Miro Medium: Original lithograph Title: Le Bélier Fleuri Portfolio: Derriere le Miroir Miro: Peintures sur Papier Year: 1971 Frame...

Artist: Alexander Calder Title: Plate 3 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Artist: Joan Miro Title: Plate XI Portfolio: Lithographe II Date: 1975 Edition: Unnumbered Frame Size: 19 5/8" x 16 3/4" Sheet Size: 12 1/2" x 9 1/4" Image Size: 12 1/2" x 9 1/4" Sig...

This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...

John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches. Provenance: Hirschl and Adler Galleries, Inc., New York, New York. A fine bright impression. Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...

Artist: Joan Miro Title: Plate 15 Portfolio: Peintures sur Cartons Date: 1965 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image Size: 15" x 11" Signature:...

Umberto Mastroianni 1960s Original Etching Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of o...

Alexander Calder Derriere le Miroir #156 (Plate 1) Artist: Alexander Calder Title: (Plate 1) Derriere le Miroir #156 Portfolio: Derriere le Miroir #156 Medium: Original lithograph Ye...