Gerbing and Stephan

Sterling silver vase in Art Nouveau - Liberty style made entirely by hand. The preparation of the structure of the vase required several processing times. The vase was made in differ...

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

A large saucer form vase with deep incising. Blackware pottery signed and dated on underside. By Jeff Roller, 06, 92.

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was a utilitarian type...

We present this splendid column vase, made in Italy, dating back to the early 20th century. The vase is crafted from polychrome glazed ceramic. The eye-catching decoration captures t...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

A beautiful antique ceramic vase handcrafted by Alphonse Cytère known for developing this metallic finish. Typical Art Nouveau style. This model with...

This attractive Johann Loetz glass vase displays a classic baluster form with a gently flared rim, enriched by a vibrant iridescent surface in olive green and golden tones. The glas...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

This elegant pair of white ceramic Chinese vases, dating back to the early 20th century, embodies timeless craftsmanship and classic design. Their smooth white finish and simple yet ...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...