Gerbing & Stephan Serveware, Ceramics, Silver and Glass

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was a utilitarian type...

A large saucer form vase with deep incising. Blackware pottery signed and dated on underside. By Jeff Roller, 06, 92.

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

This elegant pair of white ceramic Chinese vases, dating back to the early 20th century, embodies timeless craftsmanship and classic design. Their smooth white finish and simple yet ...

Great authentic piece of pottery from Italy. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this jug/ jar as it was a utilitarian type piece, I...

Great authentic and rare piece of pottery with a spout in handle from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it ...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

Lovely shaped grey ceramic vase made by Wedgwood. Designed by Keith Murray Makers marks and facsimile signature on base 2 tiny hairline cracks to the rim.( shown in the images ) ...

A fine and quality antique French Majolica plate with a pheasant set within a wooded landscape signed Hippolyte Choisy le Roi and dating ...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...