Gerome Kamrowski Art

Gerome Kamrowski Dream Woman, 1940 Watercolor on paper 6 1/2 x 4 1/2 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Pa...

Gerome L. Kamrowski (1914 - 2004) Glow, 1948 Oil on canvas 12 1/4 x 16 1/4 inches Provenance: The artist The Kamrowski Estate (by family descent in 2004) Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner...

Gerome L. Kamrowski (1914 - 2004) Spun, 1957 Oil, encaustic, grinded pigment on artist board 10 x 12 3/4 inches Signed, dated, and titled on the reverse Provenance: Estate of the artist Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner...

Gerome L. Kamrowski (1914 - 2004) Abstract Sculpture Oil on wood 62 inches high Provenance: The artist's estate Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner, and Cameron Booth. Both Turner and Booth had been students of Hans Hofmann, and were also associated with the Abstraction-Création group in Paris. It was from these peers that Kamrowski was introduced to a "kind of expressionist cubism." In 1933 Kamrowski was awarded a scholarship to the Art Students League, where he would study in New York under Hans Hofmann. Unfortunately, immigration problems had prevented Hofmann from assuming his post. Nevertheless, Kamrowski decided to remain in New York for a short time, to attend classes taught by George Grosz. After a few weeks, he returned to St. Paul, and found a position in the mural painting division of the Minnesota FAP/WPA (Works Progress Administration). In 1936 he contributed “Synthetic Cubist Style” frescoes in the Northrup Auditorium of the University of Minnesota. In 1937 Kamrowski went to Chicago to study under László Moholy-Nagy and Alexander Archipenko at the New Bauhaus (now Illinois Institute of Technology's Institute of Design). There he was exposed to new and interesting ideas regarding the role of nature in art and the "geometric basis of natural form". In 1938 Kamrowski received a Guggenheim fellowship to attend Hans Hofmann's summer school in Provincetown, Massachusetts. He then relocated to New York where he met William Baziotes. Together they shared a fascination in Surrealist automatic writing, and both artists explored its possibilities in their paintings. Kamrowski was particularly drawn to Surrealism's fundamental appeal of intuition over intellect. He was interested seeking a process that "binds all things together...a kind of cosmic rhythm". Throughout the late 1930s and early 1940s while living in New York, Kamrowski became an integral part of the emerging surrealists. In 1942, the artist Roberto Matta attempted to form a group of artists to investigate new applications for Surrealist methods. He invited Kamrowski, along with William Baziotes, Jackson Pollock, Peter Busa...

Gerome Kamroski, Untitled 'Surrealist Abstraction', drypoint, 1946, edition 28 (editioned in 1996). Signed, dated '1946, ed 1996", and numbered '7/28' in pencil. A fine impression, ...

UNTITLED FROM "DOME SERIES" (it is about 10 inches deep) Oil and mixed media assemblage on joined canvas panels over a geodesic dome. (He collaborated wi...