Gigi Sabadin Seating

Arca Chair designed by Gigi Sabadin for Crassevig, Italy, 1974 The Arca chair, designed by Gigi Sabadin for Crassevig, is a standout example of 1970s Italian design. Its clean lines...

Gigi Sabadin for Emme, set of six 'Pala' dining chairs, ash, rush, brass, Italy, 1970s The Pala dining chairs designed by Gigi Sabadin for Emme in the 1970s sit comfortably within t...

Italian Arca chairs by Gigi Sabadin for Crassevig, 1970s. Set of six Model Arca folding chairs in bentwood with Vienna cane seats. The design is di...

Gigi Sabadin “Peota” dining chair, Italy, 1971. The Gigi Sabadin "Peota" dining chairs for Stilwood, designed in 1971, showcase the great craftsmanship capacity of the artist. Craft...

A wonderful set of 6 1970’s “Pala” chairs designed by the noted Italian Architect Gigi Sabadin for Emme. These chairs are comfortable to sit as well as bein...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of two Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

A set of six 'Esse' model dining chairs, designed by Italian designer Gigi Sabadin for Stilwood in 1973. The chairs are a wonderful example of 1970's organic design, the bent plywoo...

Icône du design italien des années 70, ce lot de trois chaises “Peota” a été conçu par Gigi Sabadin pour Stilwood. Leur silhouette sculpturale est marquée par une structure angulaire...

folding chairs in solid ash. Chromed folding mechanism. Cane in good condition. Arca by Gigi Sabadin created in 1974 for Crassevig. Arca chair design by Gigi Sabadin in 1974. Crasse...

Gigi Sabadin “Pala” Dining Chair for Emme, wood, Italy, 1973 Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chair embodies the radical experimentation of the Italian Seventies. Its structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari’s “Autoprogettazione...

Step into the epitome of mid-century Italian design with this exquisite dining chair by Gigi Sabadin for Stilwood, circa 1970. Crafted from ash wood and adorned with delicate cane de...

Italian modern Light wood Chairs Peota by Gigi Sabadin, 1970s Set of 5 chairs mod. Peota in light wood. The seat and back are made of curved wood with rounded corners. The legs posit...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of eight Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

Introducing an iconic piece of Italian design from the 1970s: the "Arca" chair designed by Gigi Sabadin for the renowned brand Crassevig. This chair combines the simplicity and elega...

Set of 4 chairs in curved plywood by Gigi Sabadin for Stilwood, Iltay, 1970s.

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of four Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of six Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...