Giovan Battista Viola Art

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

A Castle and Drawbridge by a lake with mountains beyond Italian School, 18th century oil painting on canvas: 25 x 29.75 inches condition: relined, restored to a high standard, very ...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Rare and well painted modernist nude composition. Oil on canvas. Signed. Framed. Image size, 18H by 24L inches.

Pittoni came from a family of painters and architects. He received lessons from his uncle Francesco Pittoni in Venice and later from Antonio Balestra....

American impressionist nude beach scene oil painting by Nathan Hoffman (1900 - 1979). Framed. Oil on board. Signed. Image size, 16H by 20L.

This interesting British 1940's oil painting is attributed to Harry Jefferson Barnes. Barnes trained at the Slade School of Art and later went on to become Director of the Glasgow Sc...

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Impressive ashcan school modernist street scene painting. Oil on canvas. Rare ashcan school modernist street scene by Isabel Moncayo. In excellent original condition. Handsomely f...

Italian master (17th century) - The flight into Egypt appears to St. Francis. 37.5 x 51.5 cm without frame, 71 x 83 cm with frame. Oil on canvas, in a carved wooden frame. Conditi...

Victor Gilbert 1847 - 1933, French Oil on Panel A magnificent work by Victor Gilbert and one for all collectors. This is a rare and important example on a grand scale that is scarcely seen. Artist's very rarely painted on beautiful mahogany panels as large as this as they were too expensive and very hard to buy. The fact that Gilbert did this highlights the significance of this work. Panel Size: 45 x 26" (114 x 66cm) Outside Frame Size: 52 x 33" (132 x 84cm) Free Shipping Victor Gilbert’s natural ability as an artist was recognized early, but his family lacked the financial resources to send the young man to the École des Beaux-Arts. Rather than enrolling in the École, Gilbert was apprenticed to Eugene Adam as an artisan painter and decorator. His only formal education was evening classes with Pierre Levasseur at the École de la Ville de Paris. Perhaps it was his early immersion into la vie quotidienne that formed the basis for his later choices of subject matter for his art, that of the markets and streets of Paris. Despite his lack of formal training, Gilbert’s admissions to the Paris Salons of 1873 and 1874 were very well received by audiences and critics alike; at this time he was supported by the dealer Paul Martin, who was an important proponent of the Impressionist movement. Gilbert emerged in the early 1880s as the primary Realist painter to record the French marketplace...