Giovan Battista Viola Art

Mid century figurative landscape of a nude female figure with tree at El Capitan, Yosemite, California by Margaret Wherry Ziegler (American, 1909-1989). Signed "M. Ziegler" lower right. Displayed in a rustic new silver gilt frame. Image, 24"H x 12"W. Margaret Wherry Ziegler was born in Cincinnati, Ohio on November 27, 1909. At a young age she traveled with her parents to the Philippines, Japan, India, Italy, Greece, and Europe. She studied art at the Cincinnati Art Academy, Minneapolis Art Institute, the University of the Philippines, and the California College of Arts and Crafts. While in Japan she studied Japanese brush painting...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

Antique American impressionist oil painting. Oil on canvas. Framed. Signed verso. Measuring 33 by 25 inches overall and 32 by 24 painting alone.

The Classical Landscape, most likely a Grand Tour painting Figures in an Extensive River Landscape early 19th Century Italian School Oil on canvas, 36" x 48" (91.5 x 122cm) plus elab...

“The Holy Hour” German School, circa 1930's signed lower corner oil painting on canvas, framed The painting is a copy after the earlier work: THE HOLY HOUR; DIE HEILIGE STUNDE. by LUDWIG FAHRENKROG (1867-1952). painting: 51cm x 81cm provenance: private collection, Germany Fine quality Symbolist oil painting from the 1930...

Neapolitan painter (18th century) - Allegory of America. 76.5 x 64.5 cm without frame, 83 x 69.5 cm with frame. Antique oil painting on canvas, in a lacquered and gilded wooden fra...

Impressive ashcan school modernist street scene painting. Oil on canvas. Rare ashcan school modernist street scene by Isabel Moncayo. In excellent original condition. Handsomely f...

Dancing Figures Flemish School, 17th century oil on on canvas, framed framed: 21.5 x 28.5 inches canvas : 16.5 x 24 inches Provenance: private collection, France Condition: very good...

Italian Master (17th century) - The Flight into Egypt Appears to St. Francis. 37.5 x 51.5 cm without frame, 71 x 83 cm with frame. Oil on canvas, in a carved wooden frame. Conditi...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...