Giuseppe Vasi Wall Decorations

Fantastic 18th Century Antique Hand-Colored Engravings depicting Greek Mythological scenes. This set of artwork is from J.B. Wicar. These matted and gold gilt...

Set of Two Original Antique Engravings of Peru by C.T. Middleton, 1778 Description: A decorative matching set of two original antique copperplate engravings illustrating traditional...

Title: Set of Two Saint-Cloud Garden Fountain Engravings by Baltard, Paris, 1803 Description: This elegant pair of original antique copperplate engravings depicts two picturesque v...

This is the frontispiece of the first volume of "Delle antichità di Ercolano" (The Antiquities of Herculaneum), published in 1757 by the Royal Printing House of Naples, Italy. The ...

Saint Francis of Paola, engraving by Antonio Gramignani, Rome, circa 1670–1690 Description: This devotional engraving by Antonio Gramignani (active Rome, late 17th century) depicts ...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Title: 1757 Engraving of Florida Natives – Indigenous Clothing & Village Scene Description: This striking 1757 antique copperplate engraving, 'Habits et Maisons des Floridiens', ...

Italian Hand-Colored Engraving of the Grand Canal, Venice, in the Manner of Giuseppe Vasi, Framed A finely detailed Italian architectural engraving depicting an elegant Venetian wat...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

Presenting a lovely pair of Venice etchings by N Erichsen 1904. This pair of etchings were drawn by N. Erichsen who we understand was a late 19th and early 20th Century English artist. Both feature scenes from Venice in 1904. The first one (on the left) is a sketch of the Piazza San MarCo...

Classical Blueprints: Piranesi Engraving of the Exeter Pedestal and Antiquities Etching and Engraving on Paper, Circa 1778 This large-scale copperplate engraving by Giovanni Battist...