Giustiniani Serveware, Ceramics, Silver and Glass

A continental covered soup tureen in Neoclassical style with Bacchic décor on a deep eggplant ground. Transfer painted decorations unfold on the circular bowl and pedestal along with...

English creamware covered soup tureen and stand, Wedgwood, circa 1790. Impressed Wedgwood.

A very beautiful white and green pottery cabbage cauliflower vegetable soup or stew tureen, Trompe l'Oeil style, circa mid-20th century. Tureen has a 'cauliflower' lid with knob and ...

Original Rosenthal Germany Studio Linie white porcelain bowl, designed by Danish artist Björn Wiinblad, circa 1970. Signature of manufacturer and designer under the base.

Piero Fornasetti Pottery Plate, Sezioni Di Frutta, #6 1960s. The stunning Piero Fornasetti Pottery Plate depicts a cut red pepper from the Sezioni Di Frutta series. Mark: Hand and ...

Faience Soup Tureen Delft, circa 1930. Chinoiserie scene on the platter , handle with fish and lobster. Platter 17.5 by 13.3 inches. Height / 11.5 inches.

This is a set of eight California pottery lettuce / cabbage plates designed by Brad Keeler. They date to the 60s and are marked. A fun set of plates rea...

These completely handmade porcelain bowls are painted by hand with a charming hands-free winter decor. Teh decor comes as a set of three decors. One shows...

Striking breath of fresh air sky blue matte finish vintage pottery vases having raised floral design.

A rare one-of-a-kind find! This lobster-topped soup tureen makes me smile. I'm ready to drop everything and gather my family and friends for a hearty dinner al fresco. This is an ...

A large-scaled American pottery aqua-glazed double-handled urn; the flaring neck above an ovoid body flanked by loop handles.

Hand made glazed studio pottery shallow bowl or plate by Amelie (Amely, Aly) Richter, in plum, lavender and black ues. Signed Aly Richter on underside. Before her marriage to Dr Georg Martin Richter, in November of 1920, naturalised American citizen, Amelie (Amely, Aly) Richter, had been a Baroness, born in Bavaria and raised in France. A long-time hobbyist, after Dr Richter’s death in 1942, Amelie opened her own studios for art and interior design in New York and London, where she refurbished and embellished old furniture. Inspired by her many trips with Georg to museums and archives, Amelie was known to utilise motifs borrowed from prehistoric cave paintings and American Indian art, and to accent her pieces with semi-precious stones, in shades of purple and turquoise. After directing the arts and crafts department at private high schools in Arizona and California, between 1947 and 1951, Amelie moved to Boston where she studied ceramics at the Museum School of Fine Arts, under the tutelage of Norman Arsenault. She continued her training at the Alfred University where she took technical classes in glaze calculations and clay-body composition, before becoming a member of the Pottery Workshop...