Globe Furniture Decorative Objects

These rare examples of Aesthetic Movement ivory porcelain themed vases features a matching pair of realistically molded open shells nestled in coral branches. The translucent walls a...

Blue and white floral pottery covered pil and cover, Vera pottery, circa 1900-1930. The cylindrical pail with exterior knob handles has a reeded lowe...

Simple but nice épergne in silver plate for Your table ornament, specially for Christmas: with candles, flowers and fruits all around. Just a few flowers are enough to refine a tabl...

A rare and exceptional Doulton Lambeth aesthetic movement stoneware vase decorated with stylized motifs by renowned designer and decorator Emily J Edwards and dated 1875. Emily Edwards...

Late 19th/Early 20th century English Aesthetic Movement decorative jardinaire or planter stand featuring Japanese dragons. Beautifully glazed with a two tone finish of green with ric...

Pair of French Aesthetic movement enameled bird motif black & gold vases, each one with twin applied handles, colorful decoration on both sides, raised on a 4"diameter base Provenan...

With gold and platinum and translucent enamel decoration.

A stunning Aesthetic Movement twin-handled hand-painted porcelain vase, featuring an idyllic scene inspired by Holbein: a ploughman with horses set against a glowing sunset, signed R...

Royal Crown Derby Aesthetic Movement Gilt Potpourri Vase with Pierced Lid, Dated 1892 Dimensions: 10.5" H x 5.5" Dia A refined example of late Victorian porcelain, this lidded potpo...

Pair of French Aesthetic Movement Bronze and Champlevé Enamel Urns (Jardinières) This elegant pair of footed urns, sometimes referred to as jardinières, is a stunning embodiment of ...

Rookwood pottery was established based upon Arts and Crafts ideals positing the celebration and elevation of pottery as an art form. Both professional and amateur decorators and potters were instrumental in the success of what became an art industry and the nations first Internationally recognized art pottery. It is marked 1885, 61 and W. Rookwood's font, Form # 61 and the use of W to indicate white clay are well known to Rookwood collectors and have been identified in most publications concerning the pottery dating back to Peck's books. Sometimes we just can't figure out who decorated them. Many of the decorators were married society ladies and some used their spouse's initials or names on pots. I have been unable to identify what appears to be M AED in under-glaze initials. Nor does the pencil notation which appears M.E. Foster (or Foote) turn up in my review of the literature, including The Ladies God Bless 'em. The quality of the decoration is high and represents the interest in Japonisme and Aesthetic Movement art. The four cobalt lined vertical panels recall vertical Japanese woodblock prints and the gold tracery and rim is surprisingly present with only modest wear to the high points and minor bleed through of the under-glaze around the lip. (shown). It is important to note that unless or until the decorator is identified, it is impossible to assert that the decoration is by a Rookwood artist. Many amateur ladies and gentlemen, particularly members of the Cincinnati Pottery...

From Minton, a wonderful and extremely scarce majolica glazed Aubergine eggplant vase, dated 1875. An example of the Japonisme Aesthetic so desirable ...