Göperts Möbler Sofas

Three-seat sofa, leather, wood, Denmark, ca. 1960. This modest and comfortable three-seat sofa exhibits characteristics reminiscent of Borge Mogensen's design. The vibrant aestheti...

This Sofa is gifted with wonderful, curved lines and new velvet upholstery. The golden yellow velvet gives a modern and sophisticated look. New upholstery with signs of use. The le...

- Sturdy and stable - Upholstery in good original condition with minor signs of use - Measures: High of seat 43cm.

Sofa designed by Carl Malmsten in Sweden during the 1940s. Model 'Värend' with an elegant design made in elm.

Two elegant armchairs by Gunnar Göperts that he designed in the 40s for the own furniture company Göperts Möbler. The armchair has an ergonomic design ...

A large Italian sculptural sofa designed by Guglielmo Ulrich, very comfortable. Recently upholstered in light blue velvet with a light gray velvet border, in a minimalist way, which ...

This beautiful Danish three-seater sofa recalls the Art Deco style of the 1930s with the recognisable touch of Danish Modernism. Thanks to its elegantly curved shape, this type of so...

A pair of pine and white fabric "Åre" lounge chairs designed and produced by Göperts Möbler, Sweden, c. 1940s.  Dimensions: 33” H x 27.25” W x 25” D Seat height: 17.5” 

A pair of Säter armchairs designed by Gunnar Göpert in 1948 for the Swedish manufacturer Göperts Industri, Jönköping. Made from solid pine with original blue fabric. The model was showcased as news in a full-page ad in the design magazine Form in the spring of 1948. Göperts Industri was one of many Swedish manufacturers that produced rustic pinewood furniture in the first half of the 20th century. The style, often referred to as Sportstugemöbler (Sport Cabin...

Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair was also clearly visible in the famous Red Chair, designed in 1927 for the lecture hall at The Museum of Arts and Crafts (now Design Museum Denmark), but with its straight back deprived of all unnecessary decoration and its beautiful Niger leather, the Red Chair was far from an imitation. Other important works include The Propeller Stool (1927), The ‘Mix Chair’ designed in collaboration with his pupil Edvard Kindt-Larsen in 1930, the Safari Chair (1930), The Deck Chair (1939 and The Church Chair designed in 1936 for the Bethlehem Church in Copenhagen. Also noteworthy are Klint’s well-proportioned cabinets and wardrobes...

This sculptural sofa was designed by Bertil Söderberg and produced by Nordiska Kompaniet in Sweden in the 1940s. The rare design is marked by the curv...

Elegant Swedish Modern sofa from Berga Möbler, with rounded lines and fun sculpted legs. Original mole colored plush upholstery.